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Southampton
The rationale of the conference is to explore how the different arts translate across disciplines and to establish exchanges that will allow arts disciplines to engage with contemporary debates and concerns in a non-hierarchical way.
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Southampton
Chamada de trabalhos - Representações
A clear distinction between art and other exhibitions characterised the growth of large exhibitions in the nineteenth century. While art exhibitions were staged within a narrowly defined context of European painting and sculpture, all else was displayed within two broader contexts: specific academic disciplines (natural history, history, anthropology, design and industry, book fairs), and/or trade exhibitions. Since at least the mid-twentieth century, this distinction between art and other exhibitions has become blurred. References to the natural sciences, history, theatre, music, dance or literature have been incorporated into art exhibitions, while historical museums have exhibited art works, commissioned art interventions and utilised contemporary curatorial practices. The British museum, for example, hosts ‘permanent’ exhibits of contemporary art works in its collection, as do many other museums.
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Chamada de trabalhos - Época Contemporânea
Shame, Shaming, and Online Image Sharing
Journal First Monday
We are preparing a special issue for the open-access journal First Monday on the topic of shame and shaming around the practices of sharing images online. Vernacular mobile images are the visual intersection of everyday life and popular culture, taken, viewed on and/or shared from mobile devices. They are the building blocks of our visual co-construction of reality. But, what can the experiences of shame and shaming related to practices of sharing more or less intimate vernacular mobile images indicate about our digitally connected societies and about contemporary subjectivities?
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São Petersburgo
Chamada de trabalhos - Época Contemporânea
In 2018 the international conference “History and Its Images”, organized by the Department of Art History of the European University at St. Petersburg, was dedicated to Francis Haskell’s seminal book of the same title, which greatly influenced the study of the visualization of the past. In 2020 we will host a second conference on the representation of the past in the arts and visual culture. Among the questions to be discussed are: how the visuals art and visual culture produce images of the past, how these images were perceived by the different communities and how they were transformed by the national context of their production.
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Milão
Chamada de trabalhos - Época Contemporânea
The transformations of Literature and Art Criticism in periodicals between the 18th and the 21st century
Although unquestionably all-pervasive within the history of modern and contemporary press, the ‘review form’ has been to present an understudied practice. In fact, this multi-faceted, cross-disciplinary form that has persistently accompanied the different phases in the evolution of “print-capitalism” has hardly been analysed from a theoretical perspective. This dismissal by the academic world is certainly peculiar, if not manifestly contradictory; however, it significantly testifies of the difficulty of investigating such a slippery object of study critically.
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Paris
Chamada de trabalhos - Antropologia
Métamorphoses et nouvelles technologies au Japon
Au Japon le phénomène estampillé kyara-ka – « se transformer en personnage » – donne maintenant naissance à ce que Nozawa Shunsuke (2013) nomme « un art émergent de l’auto-modélisation ». Basé sur des techniques de déguisement élaborées, le phénomène kyara-ka recouvre une grande variété de stratégies et de pratiques liées à la présentation de soi : cosplay, kigurumi, V-tubing, banques de voix synthétiques, utilisation de filtres vocaux-graphiques pour mettre en ligne des vidéos où les humains ressemblent à des personnages… En explorant les différentes manifestations de ce processus social de « chosification de l’humain », le colloque entend questionner les raisons pour lesquelles un nombre croissant de personnes se customisent en personnages. L’objectif du colloque est de traiter dans leur complexité les questions que soulèvent ces actes volontaires, et peut-être ironiques, d’oblitération. Quel est le profil de ces hommes et ces femmes qui se métamorphosent en créatures produites par infographie ? Comment vivent-ils le fait d’être aimés non pas pour eux-mêmes mais pour leur alter-ego numérique ? Quels récits, petits ou grands, accompagnent la production de ces doubles fictifs ? Est-il toujours pertinent d’analyser le phénomène en termes d’authenticity (original) ou d’artificialité (copie) ? Quelles négociations, quels refus sous-tendent l’usage des personnages comme masques sociaux ?
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Bruxelles (Ixelles)
Bolsa de estudo, prémios e ofertas de emprego - Antropologia
PhD in Anthropology of youth and public space in Laos, Thailand or Vietnam
EASt, centre for East Asian Studies, invites applications for 1 PhD in Anthropology of Youth and Public Space in Laos, Thailand or Vietnam - deadline: 27 June 2019. EASt is a research unit within the Maison des sciences humaines of the Université libre de Bruxelles (ULB), Belgium.
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Porto
Chamada de trabalhos - Educação
Transatlantic Voices: The Literary Atlantic in Perspective
Cadernos de literatura comparada No. 40
One of the innovations in literary studies during the past few decades has been the increasing interest in aspects of the empirical universe that have been frequently approached in the literary universe. The triad, gender, race and class, or, to use more up-to-date theoretical terminology, sexualities, ethnicities, post-colonialisms and cultural studies, have long become commonplace in both theoretical works and others more focused on literary analysis and critique...We invite Literary and Cultural Studies researchers to submit papers within the scope of a Lusophone, Francophone, Hispanophone or Angolophone Literary Transatlantic
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Madrid | Alcalá de Henares | Pozuelo de Alarcón
Chamada de trabalhos - Época Contemporânea
V Congresso Internacional de Mitocrítica "Mito e Criação Audiovisual"
Le V Congrès International de Mythocritique “Mythe et création audiovisuelle” est une initiative du Programme de Recherche Acis&Galatea, financé par la Communauté de Madrid et le Fonds Social Européen. Le Congrès s’organisera au tour de 4 sièges selon le thème: “Mythes germaniques” à l´université de Alcalá, “Mythes classiques” à l´université Autónoma, “Mythes bibliques” à l´université Francisco de Vitoria et “Mythes modernes” à l´université Complutense. Les chercheurs peuvent envoyer leur proposition de communication à un des 4 sièges. Leur objectif consistera à analyser le rôle du cinéma, les séries télévisées, les jeux vidéo dans la création et adaptation des mythes anciens, médiévaux et modernes et notre monde contemporain.
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Loughborough
Bolsa de estudo, prémios e ofertas de emprego - Representações
PhD Studentships, School of the Arts, English and Drama, Loughborough University
The Politicised Practice Research Group in the The School of the Arts, English and Drama at Loughborough University is offering a three-year PhD scholarship for a practice-based research project starting in October 2018. We welcome the submission of high-quality proposals that have the potential to make a substantive contribution to research within the School and invite proposals that address the following research theme: Re-imagining citizenship through practice.
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Berlim
Chamada de trabalhos - Representações
Open Cultural Studies Journal (De Gruyter)
Open Cultural Studies, an OA peer-reviewed Journal (De Gruyter) invites submissions to a special issue on Capitalist Aesthetics edited by Dr Pansy Duncan & Dr Nicholas Holm (Massey University The issue will explore the aesthetic configurations—from the cute to the comfortable, from the no-brow to the fringe—through which the economic logics of late capitalism come to crystallize today. It invites work that treats the stylistic and formal dimension of cultural objects, and the verdictive and affective dimensions of cultural discourse/experience, as valuable “cryptograms” of contemporary ideological formations and the economic relations they sustain.
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Pessac
Chamada de trabalhos - Antropologia
Cinéma diasporique sud-asiatique : Rencontres
The fourth issue of /DESI/ will focus on the question of encounters in diasporic South Asian cinema: Afghanistan, India, Maldives, Pakistan, Bangladesh Nepal and Sri Lanka. The transformation of this contemporary human condition into filmic material coincides with a turn in the scientific study of diasporas. Forced migrations, which generate a movement of displacement and settlement in home territories, movements of arrivals, caught in a logic of deterritorialization, diasporas – and more particularly South Asian diasporas – are all relocated in transnational and transcultural spaces. Cinema holds a mirror to this experience of movement through this new “ethnoscape” (Appadurai) made up of shifts and disjunctures, free flows and political hurdles, border-crossings and assignment of identity.
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Nantes
Chamada de trabalhos - Época Contemporânea
Representations of Power and Power of the Image in British and American Contemporary Photography
Représentations du pouvoir et pouvoir de l’image dans la photographie contemporaine américaine et britannique
From the power of images to images of power, this workshop will explore the representations of power and the power of representation in contemporary American and British photography. What is photography capable of doing? Whether in the form of a public person, the environment of power (emblematic places and explicit or underlying forms) or its symbolism, what is photography capable of revealing about power itself? Political, institutional, economic or social power all depend upon a system of relations or tensions between groups or individuals (accepted, rejected, questioned, expressed visually or internalized) participating in the construction of the identity, myths or memories of the American or British nations. In what manner does photography enhance or contribute to this construction or deconstruction of the notion of identity and nation?
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Lisbon
Academy as Community: English and American Studies in Portugal and Europe
34th APEAA Meeting
The tradition of English and American studies in Portugal has long been supported by the dynamics of academic associativism, in which APEAA’s peer network stands out, involving national and international institutions, and establishing continued interactions with research centres. At a time when political and cultural paradigms are on the verge of crisis and/or change, it is of the utmost importance to revisit the theoretical and pragmatic frameworks that sustain (and constrain) our research practices. Thus, this conference aims to provide a forum to discuss how Anglo-American scholarship, with its vocation for plurality and innovative interdisciplinary proposals, may progress. We also want to build strategies of cohesion among our peers in order to better disseminate our contribution to the interpretation and the fruition of meaning(s), valuing a plurality of cultural and aesthetic manifestations.
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Paris
Chamada de trabalhos - Época Contemporânea
De 1968 à nos jours
Le paysage serait-il au cœur des échanges entre les artistes intéressés par la représentation de l’Irlande et le Royaume-Uni au-delà de la période 1968-1998 ? Comment les artistes, les galeristes, les institutions et les œuvres d’art contemporaines s’approprient et interrogent-ils la représentation du paysage au Royaume-Uni et en Irlande ? -
Paris
Chamada de trabalhos - Representações
Les séries télévisées américaines contemporaines : entre la fiction, les faits et le réel
Appel à communications pour le colloque « Les séries télévisées américaines contemporaines : entre la fiction, les faits et le réel », université Paris Diderot, 6 et 7 mai 2011. Propositions à envoyer avant le 1er octobre 2010. -
Caen
Chamada de trabalhos - Época Contemporânea
Regards croisés sur les guerres modernes
Pour ce deuxième colloque Regards croisés/Varieties of Experience nous souhaitons ouvrir le champ de recherche à la représentation et l’interprétation de l’ensemble des guerres des vingtième et vingt-et-unième siècles.
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