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  • Leeds

    Convocatoria de ponencias - Europa

    Before the Anthropocene: Medieval concepts of interdependent human-nature-relations

    Ces dernières années, l'histoire du climat et la climatologie historique se sont essentiellement concentrées sur les impacts économiques et sociaux des changements climatiques de long terme, comme ceux qui se sont produits pendant l'Anomalie climatique médiévale ou le Petit âge glaciaire. Néanmoins, les préoccupations contemporaines concernant le changement climatique global ont posé de nouvelles questions urgentes aux historiens du climat : Comment les sociétés du passé ont-elles perçu les périodes de changement climatique rapide ? Dans quelle mesure ont-elles été affectées, non seulement sur le plan économique, mais aussi dans leur réflexion sur la relation entre l'homme et la nature ?

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  • Convocatoria de ponencias - Religiones

    Iconotrop

    Symbolic and Material Changes to Cult Images in the Classical and Medieval Ages

    Iconotropy is a Greek word which literally means “image turning.” William J. Hamblin (2007) defines the term as “the accidental or deliberate misinterpretation by one culture of the images or myths of another one, especially so as to bring them into accord with those of the first culture.” In fact, iconotropy is commonly the result of the way cultures have dealt with images from foreign or earlier cultures. Numerous accounts from classical antiquity and the Middle Ages detail how cult images were involved in such processes of misinterpretation, both symbolically and materially. Pagan cultures for example deliberately misrepresented ancient ritual icons and incorporated new meanings to the mythical substratum, thus modifying the myth’s original meanings and bringing about a profound change to existing religious paradigms. Iconotropy is a fundamental concept in religious history, particularly of contexts in which religious changes, often turbulent, took place. At the same time, the iconotropic process of appropriating cult images brought with it changes in the materiality of those images...The conference hopes to generate new research questions and creative synergies by initiating conversation and the exchange of ideas among scholars in the arts and humanities.

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  • Convocatoria de ponencias - Religiones

    Litany in the Arts and Culture

    Scholars representing various disciplines are kindly encouraged to submit paper proposals focusing on litanies and their forms and representations in different spheres of culture, including liturgy, literature, music, the visual arts, spirituality, and philosophy. The book Litany in the Arts and Culture edited by Witold Sadowski (University of Warsaw) and Francesco Marsciani (University of Bologna) and composed of selected best papers will be proposed for publication to the editorial board of the Brepols series: Studia Traditionis Theologiae Explorations in Early and Medieval Theology.

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  • Kalamazoo

    Convocatoria de ponencias - Representaciones

    Body and Soul in Medieval Visual Culture

    52nd International Congress on Medieval Studies

    This session seeks papers that explore the range of ways in which medieval artists responded to the anthropological duality of body and soul in the visual arts of the Byzantine and Western medieval worlds.

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  • Budapest

    Convocatoria de ponencias - Historia

    Saints Abroad

    The Hungarian Historical Review

    Hagiography and the material cult of the saints inform today a wide variety of historical research from philology and theology through historical anthropology and cultural history to narratology and art history. Approaches vary from the local and national (dynastic saints, state religion, patron saints of cities and countries) to the universal (saints as healers, helpers and intercessors). We invite papers to this special issue on saints related to Pannonia and Hungary who crossed the frontiers and either “worked abroad”, or their relics, cults, texts and images scattered all over Europe.

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  • Cambridge

    Convocatoria de ponencias - Historia

    Charming Intentions: Occultism, Magic and the History of Art

    This two-day graduate conference will investigate the intersections between visual culture and the occult tradition, ranging from the material culture of "primitive" animism, through medieval and Renaissance depictions of witchcraft and demonology, to the contemporary fascination with the supernatural in popular culture.

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