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  • Paris

    Appel à contribution - Histoire

    Le patrimoine industriel européen de la première guerre mondiale

    The First World War marked the history of Europe. It has been characterized by an unprecedented effort in industrial production, which today constitutes a common European heritage. The industrial heritage of the First World War, however, seems to be invisible: it is not identified or even defined as such, whereas this war was characterized by the massive use of industrial technology, both in the field of the production of weapons, aircraft and chemicals for military purposes as well as in the civil sector, particularly for agri-food production. It is interesting to note that conversely, the industrial heritage of the Reconstruction could be the subject of work. The organization of a European symposium, the first on this theme, is essential in order to establish an inventory of the material traces that still exist today and to draw the attention of the public authorities to the need to ensure their conservation.

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  • Saint-Pétersbourg

    Appel à contribution - Histoire

    Jewellery art of the 19th and early 20th centuries

    Fabergé Museum International Academic Conference

    Fabergé Museum in St. Petersburg organizes an International Academic Conference, “Jewellery Art of the 19th and Early 20th Centuries”, to be held September 20-22, 2018 at Fabergé Museum. With one of the largest collections of Russian jewellery art in the world, Fabergé Museum in St. Petersburg considers it its duty to study the topic from all angles and in a broad historical and cultural context. We hope to include in our conference contributions from art historians and critics, museum and archive professionals, collectors, and jewellers.

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  • Paris

    Colloque - Représentations

    Objects of Exchange. Art and Economic Encounters

    Exchange is classically described by economists as a phenomenon of equalization of values within a given system. When heterogeneous orders of economic rationalities meet, material objects and practices come to embody the paradoxes of dissonant exchange. This symposium aims to explore how artifacts and artistic practices have materialized ruptures within, and encounters between, economic systems in the modern and contemporary period.

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  • Lisbonne

    Appel à contribution - Pensée

    Adaptive Re-Use. The Modern Movement Towards the Future

    14th International Docomomo Conference 2016

    The aim of this conference is to promote the conservation and (re)use of buildings and sites of the Modern Movement, to foster and disseminate the development of appropriate techniques and methods of conservation and (re)use, and to explore and develop new ideas for the future of a sustainable built environment, based on the past experiences of the Modern Movement. As a multidisciplinary platform, this conference aims to investigate a cross-section of subjects that are raised by the challenge of preserving, renovating and transforming the Modern Movement legacy worldwide, alongside with the complex background of today’s changing times. In the end, the goal is to achieve a pluricultural comparison of standards and practices for intervention on 20th century heritage.

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  • Bruxelles

    Colloque - Asie

    Unlocking Sound and Image Heritage. See, Listen and Share

    SOIMA 2015 International Conference

    The conference is based on the collective experience of ICCROM’s multi-partner programme on Sound and Image Collections Conservation (SOIMA), which organized five capacity building initiatives (four international and one regional) in Africa, Asia, Europe and Latin America during 2007-2014. Building on SOIMA’s global insights from bringing together 89 sound and image professionals from 55 countries to date, the 2015 conference is making a strong case for looking beyond professional and institutional boundaries, actively listening to each other and sharing strategies to ensure a safe and creative tomorrow for sound and image heritage. The conference aims to promote the sound and image heritage held by diverse and lesser-known cultural and research institutions, as well as individual collectors.

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  • Lisbonne

    Colloque - Représentations

    Rehabilitation and Re-use of Modern Movement Architecture

    Seminar gathering in Lisbon international experts in architecture rehabilitation and urbanism of the Modern Movement. The seminar organized by Docomomo International will take place at the Calouste Gulbenkian Foundation, on the 27th of March. In the last decades, the architectural heritage of the Modern Movement appeared more at risk than during any other period. At the end of the 1980s, many modern masterpieces had already been demolished or had changed beyond recognition. This seminar about Rehabilitation and Re-use of the Modern Movement Architecture aims at bringing together inspiring viewpoints about this global problem.

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  • Brno

    Appel à contribution - Représentations

    Admired as well as overlooked beauty

    Contributions to Architecture and Urbanism of Historicism, Art Nouveau, Early Modern and Traditionalism

    The international interdisciplinary PhD students conference on architecture, urbanism and architectural decoration of the 19th and early 20th centuries aims to acquaint candidates withthe latest results, reflections, methodological approaches and new findings of current arthistory doctoral students and their colleagues from related disciplines, such as the monumentpreservation. For the balance and enrichment of the discourse any posts either fromthe modernist perspective or the ones based on traditionalist attitude would be highlywelcomed.

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  • Paris

    Colloque - Histoire

    Global Art History and the Peripheries

    Established in 2009, Artl@s is a project of a Spatial (Digital) history of arts and letters, providing scholars with the tools and support needed in order to expound their narratives and qualitative evidence with spatial representations and quantitative analyses. The Artl@s team organizes an international conference in partnership with the École normale supérieure, the Institut national d'histoire de l'art and the Terra Foundation for American Art, inviting researchers to gather and develop a removed and well-thought out approach to the question of the peripheries in art history.

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  • Le Creusot

    Appel à contribution - Histoire

    Les mutations de la sidérurgie mondiale du XXe siècle à nos jours

    Les changements dans la sidérurgie mondiale ont été plus rapides à la fin du XXe siècle que dans toutes les périodes antérieures. Le colloque « les mutations de la sidérurgie mondiale du XXe siècle à nos jours » vise à faire le point scientifique des mutations intervenues dans tous les domaines de cette industrie. Son ancrage dans la période contemporaine permettra une réflexion pluridisciplinaire et comparative sur les origines et les formes du changement.La démarche comparative est essentiellement historique, mais également ouverte à d'autres disciplines comme la géographie, l'économie, la gestion d'entreprises, la sociologie, les sciences de l’ingénieur, etc.

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  • Paris

    Journée d'étude - Représentations

    L’art français à l’étranger dans la première partie du XXe siècle

    Journée d’études organisée par le département des études et de la recherche dans le cadre du programme « Histoire de l’histoire de l’art » coordonné par Anne Lafont.

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  • Paris

    Appel à contribution - Études des sciences

    Être historien de l’art aujourd’hui

    En tant que science humaine, l’histoire de l’art ne peut rester figée dans un schéma de pensée, se devant de se renouveler en se confrontant aux propres évolutions de son sujet d’étude. Ainsi, alors que les révolutions artistiques de ces dernières décennies ont profondément transformé le champ de la création, il apparaît nécessaire de s’interroger sur la manière dont ces bouleversements ont modifié, ou non, les réflexions et les modes de recherches de l’historien de l’art, ainsi que les applications de son travail. Ce colloque s’articulera autour de trois problématiques principales qui interrogeront le réaménagement des cadres traditionnels dans lesquels l’histoire de l’art est née.

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