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• 16 jui 2019

  Brussels

  Call for papers - Modern

  The interiors of Art nouveau period : analyse, restore, make accessible

  The Réseau Art Nouveau Network, a European network for the study, protection and enhancement of the Art Nouveau heritage, is celebrating its 20th anniversary this year. Urban.brussels, founding member of RANN, is hosting an international symposium in Brussels, co- organised by RANN and urban.brussels in partnership with the Horta Museum and CIVA. If Art Nouveau is accessible to everyone in the street itself and while the Art Nouveau facades are the ornament of many European cities, the interiors arouse both from the academic world as from the general public many questions related to their accessibility, to their knowledge, to the refined restorations that they require.The aim of this symposium is to bring about a confrontation on research practices, understanding, conservation and enhancement of Art Nouveau interiors, in order to identify new research perspectives.

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• 09 mai 2017

  Antwerp

  Call for papers - History

  Subaltern political knowledges, ca. 1770- c. 1950

  During the last decades, political historians have increasingly focused on the evolution of political consciousness among the “common people” during the nineteenth and twentieth centuries. In that process they have often made use of all-encompassing notions such as politicization, democratization and nationalization. The conference “Subaltern political knowledges” intends to take one step back and ask a question which should precede all discussion of politicization, democratization and nationalization of the masses: what did people actually know about politics?

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• 25 oct 2012

  26 oct 2012

  Brussels

  Conference, symposium - History

  Dealer, collector, critic, publisher…: The « animateur d’art » and his multiples roles

  Pluridisciplinary research of these disregarded cultural mediators of the 19th and 20th centuries

  The first goal of our symposium is to enlighten the role of the animateur d’art in the development of the arts. We hope that this scientific gathering would help us specify this first formula of the cultural actor: “The animateur d’art is an amateur who actively participates in the defense of the arts and in the stimulation of the artistic creation in a certain period. He puts his numerous networks to work in order to spread ideologies and aesthetics through the cultural environment and the society. He is a key figure positioning himself as a mediator between the different art worlds – the plastic arts as well as between the different agents of the cultural environment. His work consists in building bridges between the artists and his own cultural environment in order to ease the reception of the works and to promote a peculiar aesthetics”.

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