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• 23 nov 2016

  24 nov 2016

  25 nov 2016

  Dresden

  Conference, symposium - Middle Ages

  The geometry of medieval images

  On le sait (le sait-on ?), une image, au Moyen-Âge, n’est pas composée selon les règles de la perspective. C’est à la compréhension d’un autre modèle géométrique, sur lequel s’appuyèrent les images médiévales, et qui disparut au cours du XVI^e siècle, que ce colloque sera consacré. Pour quelles raisons ? Les images médiévales ont-elles quelque rapport avec la géométrie ? N’est-ce pas la plus mauvaise manière de parler d’elles, qui s’entêtent à ne pas respecter des règles simples de proportion, qui sont parfois incapables de tracer deux lignes parallèles, et qui souvent n’essaient même pas d’esquisser un paysage un tant soi peu cohérent ? Plutôt que de penser les termes « géométrie » et « espace » d’une manière toujours défaillante par rapport aux images médiévales, nous voudrions les maintenir, quitte à redéfinir ce qu’on appelle, au Moyen Age, une géométrie, un espace ; et une image ?

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• 15 déc 2015

  Münster

  Call for papers - Representation

  Heraldry in Medieval and Early Modern State-Rooms

  Towards a Typology of Heraldic Programmes in Spaces of Self-Representation

  Heraldry was an ubiquitous element of state-rooms. Whether in palaces of kings and princes, castles of noblemen, residences of patricians, city halls or in cathedral chapters, heraldic display was a crucial element in  the visual programme of these spaces. Despite its omnipresence, however, heraldic display in state-rooms remains largely understudied so far. This workshop aims to explore these heraldic programmes in state-rooms in medieval and early modern Europe and to suggest an initial typology of this phenomenon. 

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• 02 jui 2014

  Berlin

  Call for papers - Early modern

  Images of the courtier in Northern European art, 1500-1700

  This panel will address the image of the courtier in the art and architecture of northern European court societies – Germanic countries, Flanders, United Provinces, France and England. While the subject has been widely studied in Italian art history, notably around the key figure of Baldassare Castiglione, it has been less investigated in the study of Northern European art of the Early modern period. The figure of the courtier inspired rich and often contrasting interpretations in Northern European court societies. While perpetuating traditional court culture in France and Flanders, the courtier in England and the Germanic countries embraced emerging social paradigms of the Protestant reform. In societies lacking an official court such as the United-Provinces, the figure of the courtier was largely redefined. Discussions will focus on symbolic forms of the courtier in the visual arts as well as in other disciplines to which the notion of decorum is central such as architecture and the decorative arts.

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• 31 oct 2013

  Duesseldorf

  Call for papers - Thought

  You were not expected to do this

  On the dynamics of production (Distraction/Interference – Resistance/Accident)

  In ordinary terms, the word production refers to an act of creation and its result, or to a process at the end of which there is a materialisation of some kind, or to the act of making something present. By productively interfering with this common idea of productionwe would like to work towards establishing different ways of thinking about this concept.

  Distraction and Interference as well as Resistance and Accident are exemplary categories of the unexpected moments that may or may not take place in the course of production. They remind us that production cannot be reduced to the momentum of "achieving a product". Rather, these categories help to reveal the physical presence of those who produce, the materiality of the objects involved and the unforeseen effects of the "product". Furthermore, they allow us to question the alleged linearity of the processes that form part of production. Thereby, Distraction, Interference, Resistance and Accident make us aware to what extent production involves a "lived" and "living" tension between the producer and what is being produced, between the subject and the world.

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• 09 nov 2009	16 nov 2009	07 déc 2009
  11 jan 2010	25 jan 2010	...

  Berlin

  Seminar - History

  Ottoman Urban Studies Seminar (2009-2010)

  Post-Ottoman Cities

  What is the historical experience of cities in the former territories of the Ottoman Empire - in the Balkans, Anatolia, the Middle East, and North Africa - in dealing with the impact of global changes and the transformation from Empire to nation States? How did people of different cultural, social and religious backgrounds live together? How are such examples of conviviality, conflict, migration, and urban regimes of governance and stratification conceptualized? And how have urban traditions been reinterpreted, and what bearing does this have on modern conceptions of civil society, multicultural societies, migration, or cosmopolitanism. These and other questions will be addressed in this year’s Seminar in Ottoman Urban Studies. Séminaire organisé par Ulrike Freitag et Nora Lafi.

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