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Paris

Conference, symposium - History

South-South Axes of Global Art

The decentered internationalism espoused by the Havana, Dakar, and Gwangju biennials invites art historians to depart from an exclusively North Atlantic focus. Such a shift in purview seriously considers cities and regions that have been marginalized by previous academic emphases, more so than by their historical circulations of art and culture with the rest of the world. Historicizing and measuring the circulation of art on the former margins is now a decisive task if we want to evidence, nuance, or contest the “provincialization” of Europe and North America in recent art history. Artl@s’ upcoming conference aims to gather an international and transdisciplinary group of researchers to collectively investigate the formation and impediments of what we call “South-South” axes from decolonization to the present day.

Paris

Working on/with archives and the written word in anthropology and literary studies

Perspectives on the Swahili world

This theme is intended to reflect the rapprochement of the research objects and theoretical perspectives of anthropology and literary studies. This rapprochement offers opportunities to discuss commonalities and differences in how archives and texts are explored and analysed. It also intends to interrogate the relations between the written word and orality and performance. As historians and philologists working on Arabic and Swahili manuscripts have demonstrated, due to early Islamization and the preservation of documents, the Swahili world is characterized by the pervasiveness of the written word. As a result it is a particularly relevant site in which to engage in such theoretical and epistemological reflections.

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2 Events