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  • Nanterre

    Call for papers - Representation

    Picturing Tomorrow: Future-directed Imagination in American Art

    How do we understand the concept of the future? Is it inevitable and shaped by a long sequence of events and interconnected chance occurrences? Or do we conceive of it as something that is determined by our actions and decisions in the present day? Is it a pure potentiality, a promise of a radically different world and yet unimaginable existence? Or is it something that is forever unreachable, something that defines our experience of the present as a perpetual state of deferral and transience?

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  • Nanterre

    Conference, symposium - Prehistory and Antiquity

    Textiles and Gender: Production to wardrobe from the Orient to the Mediterranean in Antiquity

    Textiles and gender intertwine on many levels, from the transformation of raw materials into fabric at one end, to dress and garments, and the construction of identity at the other. The conference will examine the gender division of work in the production of textiles, as well as attitudes to dress and gender across the Near East and Mediterranean culture in antiquity (c. 3000 BCE-300CE), tracing both cross-cultural and culturally specific associations.

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  • La Defense

    Call for papers - Geography

    Before and after tourism

    The post-tourism future and civil society

    The aim of this call for papers is to elicit experiences and/or analyses of the beginning or end of tourism, as well as interpretations of the end of the differentiation between the tourist and ordinary worlds which we are currently observing. Comparisons and attempts at modelling will be welcome. The papers may be proposed by researchers, practitioners or associations and may be jointly authored. They must deal with one of the three topics described below, which are to be the subject of three successive seminars.

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  • Nanterre

    Call for papers - Early modern

    Modernist Emotions

    The second international conference of the French Society for Modernist Studies

    In continuation of the society’s inaugural conference on Modernist communities, we now propose to explore the debate over emotions in the Modernist era. We hope to foster reflection and discussion that will go beyond the paradox of a passionately anti-emotional Modernism towards a reconsideration of the large extent to which Modernism attempts to channel, remotivate, and revalue the power of emotion.

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  • Nanterre

    Conference, symposium - Ethnology, anthropology

    Origin-Musics

    Musical narratives, performances, and reconstructions of the past (20th-21st centuries)

    The quest to reconstruct thestyles and histories of musical genres of the past is an old preoccupation. Since the 19th century, the orientalist imaginary contributed considerably to the notion of the existence of "origin-musics". Whether "Pharaonic", "Arab", or "Hindu", a common reference to the past, seen as prestigious and immutable, contributed to the rationalization of musical knowledge on the basis of constructed connections. The orientalist period being relatively well documented, this workshop is more focused on ways of speaking of and describing the past over the course of the 20th century and into the 21st.

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  • Nanterre | Saint-Denis

    Call for papers - History

    Powers, identity, and resistance in the visual arts in Chile, 19th-21st century

    Le nouveau colloque que nous proposons se situe dans la continuité des colloques célébrés en 2011 et 2013, puisqu’il envisage de mettre en perspective l’histoire contemporaine et les arts visuels chiliens en étendant la période jusqu’au temps présent. Ainsi, le colloque se propose de reprendre des concepts analysés lors de deux rencontres précédentes en les interrogeant, cette fois, du point de vue de la création et des arts visuels chiliens.

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  • Meudon

    Conference, symposium - Science studies

    New Perspectives on Global Environmental Images

    The international conference proposes to mobilise a broad variety of perspectives from a large disciplinary spectrum in order to analyse the strategies and imaginaries that are connected to the production, the circulation and the power of global environmental images. From icons of the environmental movement over expert graphics mobilised by the IPCC to satellite imagery, global environmental images form the sensory basis of our understanding of the planetary processes that govern the “Anthropocene”. The images all actively participate, at very different scales, in our interpretation and understanding of the changes of the Earth system as well as the consequences we closely associate to global climate change. As true mediators between different publics and cultures, between global processes and local impacts, new critical enquiries into global environmental images propose a highly fruitful discussion of the complex relationship between science, society, politics and nature.

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