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Fort-de-France
Memories in the Caribbean and Latin American Areas: between Tradition, Modernity and Transmodernity
1920-2020: a century of capitalism
Les mémoires et traditions dans la Caraïbe et dans l’Amérique latine ont toujours fait l’objet de discussions houleuses, ont toujours déchaîné des convulsions, tant elles ont été affectées par des processus d’amnésies et d’assimilation, portés directement par le colonialisme, le positivisme, l’impérialisme, la globalisation, le néo-colonialisme. 2020, année cruciale pour les pays occidentaux ou occidentalisés, nous offre la possibilité de questionner le modèle capitaliste, soit l’apport de l’occidentalisation à l’édification sociale des peuples, à savoir s’il est l’unique système économique, le seul modèle politique obligé, permettant d’envisager le progrès, l’évolution, le modernisme dans nos régions.
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Guelph
Prisons, Prisoners and Prison Records in Historical Perspective
The rise of the prison as an institution of mass incarceration for offenders has for long fascinated researchers. In part, this is due to the unusually detailed nature of most prison records. The wide availability of somewhat similar sources across diverse European and European-derived societies provides criminologists, social and economic historians, demographers and other social scientists with rich collections of personal information that have been analysed intensively since the 1970s. The increasing power of software and hardware and the accumulation of very large quantities of prison data, some of it linked to other sources, offers challenges and opportunities for researchers today. The workshop responds to the challenge of harnessing criminal justice records by bringing together scholars in different disciplines and countries to share information about their sources, methodologies of classification and analysis, and to reconceptualize research paradigms.
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Ottawa
Call for papers - Representation
Machines and the Musical Imagination (1900-1950)
Drawing on historical, aesthetic, theoretical and sociocultural perspectives, this study day seeks to reconsider the place of machines in the musical imagination during the first half of the twentieth century, a period marked by the proliferation of mass technology.
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