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• 30 mai 2018

  31 mai 2018

  01 jui 2018

  Paris

  Conference, symposium - Representation

  Female artists in the classical age - illustration, painting, sculpture and engraving

  Comment ces artistes sont-elles désignées, et de quelle manière préfèrent-elles se nommer ? Le siècle hésite à se saisir d’expressions pour les qualifier. Quelles sont les conditions de travail et de vie de ces artistes ? De quelles façons apprennent-elles leur art, où peuvent-elles l’exercer et l’exposer, avec qui à leurs côtés ? Quelle est la réception de leur art dans les Salons et les journaux de l’époque, en France et en Europe ? En quelle réputation – nationale et internationale, bonne ou mauvaise – sont-elles ?

   

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• 03 mar 2017

  Mons

  Call for papers - History

  In the Heart of the Great War

  The Individual at the Crossroads between the Civilian and Military Worlds

  The symposium theme is merely a guideline, a clue for reflection rather than a well-defined subject. It leads us to question the ways through which individuals – soldiers, civilians at the home front or in occupied territories – integrate and conciliate the military dimension on one side (whether it’s their experience at the front or German presence on the streets of their village) and the civil dimension on the other. In addition to the encounter between the civilian and military “worlds”, constituting two separate spheres, we must reflect upon the individual as being at the crossroads between two dimensions, which jointly construct him or her.

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• 09 déc 2014

  10 déc 2014

  Venice

  Conference, symposium - Thought

  Etty Hillesum. One hundred years later (1914-2014)

  International Conference

  Esther (Etty) Hillesum writings are a crucial historical document, as they report on the extreme evil of racial persecutions and life in lagers. They are a reflection on the value and the meaning of life, love and death. The International Conference “Etty Hillesum. Cento anni dopo (1914-2014)” (December 9-10, 2014, at Ca' Foscari University in Venice, Italy) aims to assess the works of this important witness from the 20th century.

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