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Prague
Acts of justice, public events: World War II criminals on trial
The conference suggests approaching trials of war crimes and of crimes against humanity, which took place in the aftermath of World War II and its following decades, as specific social events. By including professional and social actors (magistrates and police force, whistle-blowers, witnesses, defendants...) who got involved and shaped audiences of such trials, the conference endeavours to question the notion of publicization. It will cross this perspective with a study of the part played by the media supports in the organization and in the public reception of these trials.
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Montreal
Call for papers - Political studies
Conference of the International Association for Media and Communication Research (IAMCR) 2015
The Political Communication Section invites submissions for the IAMCR conference to be held in Montreal, Canada from 12-16 July 2015.
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Montreal
Conference of the International Association for Media and Communication Research (IAMCR) 2015
The Communication Policy and Technology (CP&T) Section of the International Association for Media and Communication Research (IAMCR) invites submissions for the IAMCR 2015 conference to be held from July 12-16, 2015 in Montreal (Canada). The deadline for submissions of abstracts for papers and panel proposals is February 9, 2015.
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Strasbourg
Conference, symposium - Political studies
Changing the Tune: Popular Music and Politics in the XXIst century
From the fall of communism to the Arab spring
Popular Music scholars have devoted considerable attention to the relationship between music and power. The symbolic practices through which subcultures state and reinforce identities have been widely documented (mainly in the field of Cultural, Gender and Postcolonial Studies), as has the increasingly political and revolutionary dimensions of popular music. Most studies have focused on the genres and movements that developed with and in the aftermath of the 1960’s counterculture. Yet little has been written about how the politics of popular music has reflected the social, geopolitical and technological changes of the late 20th and early 21st centuries, after the fall of Communism. Still, the music of the Arab Spring or of the Occupy and Indignados movements have been scarcely commented upon while they attest to significant changes in the way music is used by activists and revolutionaries today.
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