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  • Grenoble

    Scholarship, prize and job offer - Urban studies

    Still on the Map!

    Mississippi Delta Communities Facing Disappearing Land

    "Still on the Map!" takes as its context the Mississippi Delta fifteen years after Hurricane Katrina and about five years after the commissioning of the major new "100-year" flood protection infrastructure. Expressed from its title -a statement of resistance/resilience chanted by many inhabitants during ecological events in Louisiana- this research project aims to describe the links and "attachments" (LATOUR, 2017) that different communities in the delta maintain with their geographical environment in a situation of strong ecological tipping point, integrating the natural and artificial infrastructures of the watershed into the definition of ecosystems as socio-political actors in their own right. In a context where the delta's land is gradually sinking into the sea, every hour the surface area of a football pitch is permanently flooded.

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  • Lille

    Call for papers - Representation

    The Measurement of Images: Computational Approaches in the History and Theory of the Arts

    DHNord2020

    The DHNord colloquium brings together the digital humanities community every year at the Maison Européenne des Sciences de l'Homme et de la Société in Lille. The theme chosen for 2020 considers computational approaches to images in the history and theory of the arts. This conference will bring together for the first time in France the leading specialists in artificial intelligence applied to the arts.

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  • Ixelles-Elsene

    Scholarship, prize and job offer - Sociology

    Experienced researcher for two action-research projects on urban citizen participation in Brussels

    You will be part of a multidisciplinary team, investigating the potential of new approaches to  urban civic participation, such as by experimenting and developing new methodologies, design interventions and technological approaches. You will be mainly responsible for exploratory research and inquiries, in-depth field studies, and for evaluating and reporting of the action-research.

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  • Call for papers - Epistemology and methodology

    Journal of Festive Studies

    The journal’s stated aim is to draw together all academics who share an interest in festivities, including but not limited to holiday celebrations, family rituals, carnivals, religious feasts, processions and parades, and civic commemorations. The specific contributions of the historical, geographical, sociological, anthropological, ethnological, psychological, and economic disciplines to the study of festivities may be explored but, more importantly, authors should offer guidelines on how to successfully integrate them. How can one reconcile, for instance, the discourse of “festival tourism,” dominated by the positivistic, quantitative research paradigm of consumer behavior approaches, with a more classical discourse, mostly flowing from cultural anthropology and sociology, concerning the roles, meanings and impacts of festivals in society and culture?

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  • Paris

    Study days - Modern

    Digital Humanities Experiments

    #DHIHA6

    This conference addresses the gap between the research culture with which Digital Humanists are equipped via their disciplinary backgrounds and the research culture they foster in this field. Why does experimentation play a crucial role in Digital Humanities? How does it contribute to define the relationship between method and research questions? Can we identify barriers which currently prevent Digital Humanities from developing their full potential, leaving little room for iteration, comparison or failure? The conference itself is conceived as an experimental set-up with labs, data experiments and round tables.

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  • Call for papers - Epistemology and methodology

    The Geographical Information of Art History: How and Why to Retrace the Circulation of Knowledge and Facts

    Artl@s Bulletin 4, 2 (Fall 2015)

    The spatial turn in humanities has enticed various disciplines to deconstruct the making of artistic facts: studying the circulation of artworks and artists now appears to be a fertile way to uncover the rationales, the constraints and the transgressions that shape the historical geography of art. This ‘return to facts’ calls for a closer examination of the methods used to identify, collect, re-assemble and interpret the geographical information produced by artistic activity. To examine the traceability of artistic knowledge and facts is the primary aim of this issue of the Artl@s Bulletin.

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