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  • Call for papers - Asia

    Oman over Times: A Nation from the Nahda to the Oman Vision 2040

    Arabian Humanities Thematic Issue No. 15 (Spring 2021)

    This issue of Arabian Humanities proposes to offer a multidisciplinary overview of the Sultanate of Oman contemporary period by bringing together old and recent works. It will focus as much on its history as on the major social and cultural changes that have taken place in its society. The aim is to explore the different aspects that can be observed today and which contribute to a better understanding of this country over time.

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  • Aix-en-Provence

    Call for papers - Political studies

    Artistic, Digital, and Political Creation in English-Speaking African Countries

    Africa 2020

    French President Emmanuel Macron announced on 3rd July 2018 in Lagos that a Special Season would be organized in France, from June to December 2020, to mark a renewed partnership with Africa, a “varied, strong and diverse continent that will play a part in our shared future”. Even if this cultural focus cannot be abstracted from a broader geopolitical agenda marred by controversial presidential declarations, it nevertheless has the potential to offer a somewhat different coverage of the continent. One can only hope that it avoids the temptation to officially “curate into being” “exceptional” artists (Dovey), tapping into the all-too-familiar image of Africa as “the supreme receptacle of the West’s obsession with, and circular discourse about, the facts of ‘absence,’ ‘lack,’ and ‘non-being,’ of identity and difference” (Mbembe).

     

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  • Paris

    Conference, symposium - Representation

    Contemporary American Fiction in the Face of Technical Innovation

    Cette conférence se propose d'interroger les relations de la fiction américaine aux innovations qui ont marqué les premières décennies du XXIe siècle : internet, médias sociaux, objets et environnements intelligents, intelligence artificielle, nanotechnologies, ingénierie génétique et autres biotechnologies, transhumanisme. Ces innovations techniques redéfinissent la manière dont nous habitons notre monde, interagissons les uns avec les autres et appréhendons l'humain dans son rapport de plus en plus étroit à la machine, non plus, comme autrefois, soigné ou réparé, mais désormais augmenté ou remplacé. Qu'en est-il alors de nos pratiques artistiques et culturelles ? Ces avancées récentes modifient-ils la langue et la littérature ?

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  • Paris

    Call for papers - Ethnology, anthropology

    Desired Identities

    New technology-based metamorphosis in Japan

    In Japan, the kyara-ka phenomenon, ‘transforming into a character’ (Aihara Hiroyuki, 2007) is now giving birth to what Nozawa Shunsuke (2013) calls ‘an emerging art of self–fashioning.’ Based on elaborate disguise techniques, the kyara-ka phenomenon covers a variety of communication strategies and practices: cosplay, kigurumi, Vtubing, utaloid voice banks, use of voice-image filters to upload videos where humans look like characters… Exploring all the aspects of this ‘thingification of humans’, the conference will reflect on how and why a growing number of people market themselves as characters. The conference goal is to address the complexity of issues raised by these voluntary and, perhaps, ironical acts of obliteration. What is the profile of men and women who transform themselves into computer-graphic creatures? How do they deal with being loved only through their digital alter-ego? What little or grand narratives are being produced alongside? Can we still deal with the phenomenon in terms of authenticity (original) versus artificiality (copy)? What negotiations or refusals underly the use of characters as social masks?

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  • Paris

    Call for papers - Language

    Translating E-Lit?

    International Conference (Jan. 16 and 17, 2020, Paris 8 University, France)

    The main focus of this conference will be translation as process, rather than as a mere product, which will prompt us to apprehend translated works as belonging to one or several networks, contexts and translational cultures. In short, translation is a concept that throws new light onto the exchanges and differences pertaining to contemporary digital literary culture. Contemporary digital literary culture mobilizes multiple operations: it involves translation across languages, but includes circulations characteristic of other translational issues at large: exchanges between interfaces, media, codes, institutions, cultural perspectives, artistic and archiving practices. In turn, digital forms of textuality share a certain number of aspects within ubiquitous environments, which means that translational processes will lead us to consider creative practices that stand beyond the traditional field of literature. 

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  • Kuwait City

    Call for papers - Thought

    Pop Culture in the Arabian Peninsula

    Arabian Humanities No. 14 (Spring 2020)

    The literature on pop culture in the Arabian Peninsula is particularly thin. While a rich scholarship has analyzed oral culture and vernacular poetry, less ink was spilled on those forms of culture that use new media, from tape recording to mobile phone aps and from TV production to YouTube. This issue of Arabian Humanities seeks to fill that gap and to analyze pop culture in Saudi Arabia, Yemen, Oman, the United Arab Emirates, Qatar, Bahrain, and Kuwait. 

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  • Paris

    Miscellaneous information - Representation

    Meeting with the writer Pablo Landeo and the presentation of his Quechua language novel "Aqupampa"

    L'association Amériques de l'INALCO en partenariat avec l'ambassade du Pérou en France proposent une rencontre avec l'écrivain Pablo Landeo Muñoz et la présentation de son roman en quechua Aqupampa. Carlos Amézaga, ministre conseiller à l’ambassade du Pérou, prononcera un discours d’ouverture. La présentation du roman sera faite par César Itier (INALCO). Elle sera suivie d’un dialogue avec l’auteur Pablo Landeo Muñoz et d’une lecture d’extraits du roman (surtitrés en français). Cette rencontre sera clôturée par un concert de musique andine proposé par le groupe Paris Andes.

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  • Madrid | Alcalá de Henares | Pozuelo de Alarcón

    Call for papers - Modern

    Myth and Audiovisual Creation

    V International Conference on Mythcriticism

    The V International Conference on Mythcriticism “Myth and Audiovisual Creation” will analyze the impact of myth in audiovisual creation from 1900 to the present day. The Conference will be organized in four universities during two weeks.The Conference will be divided into 4 venues according to different themes: "Germanic Myths" in the University of Alcalá, "Classical Myths" in the University Autónoma, "Biblical Myths" in the University Francisco de Vitoria and "Modern Myths" in the University Complutense. Researchers can send to one of their 4 venues their abstracts. They will have to analyze the relevance of film, TV series and video games in the creation and modification of old, medieval and modern myths to our contemporary world.

     

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  • Pessac

    Call for papers - Ethnology, anthropology

    South Asian Diasporic Cinema: Encounters

    The fourth issue of /DESI/ will focus on the question of encounters in diasporic South Asian cinema: Afghanistan, India, Maldives, Pakistan, Bangladesh Nepal and Sri Lanka. The transformation of this contemporary human condition into filmic material coincides with a turn in the scientific study of diasporas. Forced migrations, which generate a movement of displacement and settlement in home territories, movements of arrivals, caught in a logic of deterritorialization, diasporas – and more particularly South Asian diasporas – are all relocated in transnational and transcultural spaces. Cinema holds a mirror to this experience of movement through this new “ethnoscape” (Appadurai) made up of shifts and disjunctures, free flows and political hurdles, border-crossings and assignment of identity.

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  • Paris

    Conference, symposium - Representation

    Toward a Geography of Architectural Criticism: Disciplinary Boundaries and Shared Territories

    Mapping Architectural Criticism Third International Symposium

    This international symposium is part of the ANR research project Mapping Architectural Criticism, which aims to develop a field of research on the history of architectural criticism, from the last decades of the 19th century to the present day. The symposium intends to debate two key questions related to the geographies of criticism: what are criticism’s disciplinary boundaries and which territories has criticism shared from the last decades of the 19th to the end of the 20th century with other disciplines.

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  • Athens

    Call for papers - Modern

    Green infrastructure strategies and lighting: ecological solutions for cities and territories

    The International SD-Med 2015 (Sustaible development in Mediterranean) Meeting is part of the UNESCO Conferences in the framework of the International Year of Light 2015. It will be entitled: Green infrastructure and lighting strategies : Nature-based solutions for cities and territories. The meeting has been placed under the aegis of the UNESCO and the Greek Ministry of Economy, Development and Tourism.

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  • Pessac

    Call for papers - America

    Journeys, exile and migrations in Latino-American literature of the 21st century

    15 years of migrant writing 2000-2015

    Quelles sont les  stratégies discursives à l’œuvre dans la représentation des migrations internes et externes ? Comment les déplacements plus ou moins lointains sont-ils transfigurés dans la littérature contemporaine latino-américaine ? Comment sont construites les identités mobiles ? Par quelles voix/es s’expriment les personnages voyageurs ou migrants ? Parmi les nombreux auteurs représentatifs de ces nouvelles orientations qui clôturent le boom et l’étape post-boom, on citera Jorge Benavides, Tomás González, Wendy Guerra, Carla Guelfenbein, Eduardo Lalo, Guadalupe Nettel, Juan Carlos Méndez Guédez, Andrés Neuman, Edmundo Paz Soldán, Hebe Uhart, Leonardo Valencia.

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  • Nanterre | Saint-Denis

    Call for papers - History

    Powers, identity, and resistance in the visual arts in Chile, 19th-21st century

    Le nouveau colloque que nous proposons se situe dans la continuité des colloques célébrés en 2011 et 2013, puisqu’il envisage de mettre en perspective l’histoire contemporaine et les arts visuels chiliens en étendant la période jusqu’au temps présent. Ainsi, le colloque se propose de reprendre des concepts analysés lors de deux rencontres précédentes en les interrogeant, cette fois, du point de vue de la création et des arts visuels chiliens.

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  • Nantes

    Call for papers - Modern

    Representations of Power and Power of the Image in British and American Contemporary Photography

    Représentations du pouvoir et pouvoir de l’image dans la photographie contemporaine américaine et britannique

    From the power of images to images of power, this workshop will explore the representations of power and the power of representation in contemporary American and British photography. What is photography capable of doing? Whether in the form of a public person, the environment of power (emblematic places and explicit or underlying forms) or its symbolism, what is photography capable of revealing about power itself? Political, institutional, economic or social power all depend upon a system of relations or tensions between groups or individuals (accepted, rejected, questioned, expressed visually or internalized) participating in the construction of the identity, myths or memories of the American or British nations. In what manner does photography enhance or contribute to this construction or deconstruction of the notion of identity and nation?

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  • Strasbourg

    Conference, symposium - Political studies

    Changing the Tune: Popular Music and Politics in the XXIst century

    From the fall of communism to the Arab spring

    Popular Music scholars have devoted considerable attention to the relationship between music and power. The symbolic practices through which subcultures state and reinforce identities have been widely documented (mainly in the field of Cultural, Gender and Postcolonial Studies), as has the increasingly political and revolutionary dimensions of popular music. Most studies have focused on the genres and movements that developed with and in the aftermath of the 1960’s counterculture. Yet little has been written about how the politics of popular music has reflected the social, geopolitical and technological changes of the late 20th and early 21st centuries, after the fall of Communism. Still, the music of the Arab Spring or of the Occupy and Indignados movements have been scarcely commented upon while they attest to significant changes in the way music is used by activists and revolutionaries today.

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  • Saint-Denis

    Conference, symposium - Language

    Translation(s), Migration(s), Identities

    Dans un monde soumis à la dynamique de la globalisation et marqué par des mouvements migratoires massifs, les figures et oppositions figées du centre et de la périphérie, de l’identité et de l’altérité, du soi et de l’autre se dissolvent tandis que l’expérience du déracinement, de l’exil, du passage produit une superposition de plusieurs cultures qui s’hybrident dans un territoire radicalement nouveau par rapport aux migrations d’antan. La situation du sujet moderne, décrite par Salman Rushdie dans Imaginary Homelands comme celle de l’homme traduit (the translated man), tend à se généraliser. Homi Bhabha a élaboré une théorie de la culture qui est proche d’une théorie du langage, recourant à la notion de traduction comme motif ou trope. Il s’agira, dans un premier temps, d’approfondir la réflexion sur la « traduction culturelle » et d’envisager dans quelle mesure ce motif peut (et doit) être lié à une réflexion renouvelée sur le rôle et les modalités de la traduction au sens propre.

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  • Coimbra

    Call for papers - Representation

    Le cinéma à travers la critique

    Cinéma, théorie, littérature et critique de cinéma dans la péninsule ibérique

    Le Centre d'études interdisciplinaires du XXe siècle de l'université de Coimbra (CEIS20 - UC) et le GELYC (Groupe d'études sur la littérature et le cinéma) de l'université de Salamanca, appellent à des propositions de communication au colloque international « Le cinéma à travers la critique. Cinéma, théorie, littérature et critique de cinéma dans la péninsule ibérique », qui aura lieu à Coimbra, Portugal, à 20 et 21 novembre 2008. Ce colloque cherche à réunir des contributions des disciplines les plus variées sur les relations entre la critique et le cinéma au Portugal et en Espagne.

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