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5 Events

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2019

Paris

Call for papers - Ethnology, anthropology

Desired Identities

New technology-based metamorphosis in Japan

In Japan, the kyara-ka phenomenon, ‘transforming into a character’ (Aihara Hiroyuki, 2007) is now giving birth to what Nozawa Shunsuke (2013) calls ‘an emerging art of self–fashioning.’ Based on elaborate disguise techniques, the kyara-ka phenomenon covers a variety of communication strategies and practices: cosplay, kigurumi, Vtubing, utaloid voice banks, use of voice-image filters to upload videos where humans look like characters… Exploring all the aspects of this ‘thingification of humans’, the conference will reflect on how and why a growing number of people market themselves as characters. The conference goal is to address the complexity of issues raised by these voluntary and, perhaps, ironical acts of obliteration. What is the profile of men and women who transform themselves into computer-graphic creatures? How do they deal with being loved only through their digital alter-ego? What little or grand narratives are being produced alongside? Can we still deal with the phenomenon in terms of authenticity (original) versus artificiality (copy)? What negotiations or refusals underly the use of characters as social masks?

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oct

2018

Call for papers - Asia

Sinophone musical worlds and their publics

China Perspectives / Perspectives Chinoises

Recent success of Chinese reality television singing competitions broadcasted on national television or streamed directly on the internet, has shown the extent of musical genres represented in the Chinese world, from pop to folk via hip-hop or rock ’n’ roll. The popularity of new musical styles up to then considered as deviant as well as the recent attempts of the State to intervene directly on musical contents, tend to blur the distinctions between “mainstream” (流行) music, “popular” (民间) music as non-official, “underground” (地下) music or even “alternative” (另类) music. This call for papers aims at promoting a better understanding of the transformations of Chinese “musical worlds”, in the sense that Becker gave to “art worlds”, which stresses the role of cooperation and interactions between the different actors of the artistic sphere.

Paris

Chinese objects and their lives

Over the last twenty years, material culture studies have occupied a growing place in the social sciences. How does this growing interest in objects and material culture reveal itself in Chinese studies? Choosing from different disciplines and different periods, this AFEC workshop aims to examine how to approach objects in the humanities and social sciences—from everyday objects to natural objects, consumer goods, technical or scientific instruments, objects of study or devotion, or ritual objects and works of art. By bringing together specialists from different fields (history, art history, archaeology, technology, anthropology, literature, sociology, etc.), the workshop explores the life, trajectory and the possible metamorphoses of the value, status and function of objects, as well as the relationships these artefacts have with individuals—raising in addition questions of their social uses—by focusing on their religious, symbolic, political, economic, emotional or memorial dimensions.

Sheffield

Conference, symposium - Asia

New approaches in Chinese garden history

In honour of Dr Alison Hardie's retirement

A conference exploring new developments in Chinese garden history, created in honour of Dr Alison Hardie's retirement.

Paris

Common Experiences, Common Desires ? Tracing an Intellectual History between China and Africa

Conférence ANR Espaces de la culture chinoise en Afrique (EsCA)

In his 1954 presentation to dignitaries from across Asia and Africa, Chinese Premier Zhou Enlai acknowledged the differences between the two cultural spheres; nevertheless, Zhou stressed, a more important factor in all future relations should be the “common experiences and desires” of people from across the two continents to create a new world from the ashes of war and colonialism. Building on Zhou’s insight into commonalities of experience, this presentation will trace the cultural intersections that have existed between China and African since the 1920s.

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5 Events