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  • Call for papers - Ethnology, anthropology

    Museums and heritage in the post-COVID-19 era: the footprint of COVID and rethinking the future

    Her&Mus. Heritage & Museography Journal

    Through case studies and empirical studies, this issue of Her & Mus is a call to assess the proposals that have been developed throughout 2020 since the pandemic began, covering those practices that have worked and those that have not. It is an opportunity to reflect on the sustainability and future viability of museums and heritage facilities after the pandemic.

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  • Call for papers - History

    Christianity in Iraq at the turn of Islam: History & Archaeology

    An international round table organized on May 4 and 5, 2019 at the University of Salahaddin (Erbil, Iraq) highlighted the interest for a collective work that will address the question of Christianity in Iraq at the turn of Islam. Les Presses de l’Ifpo launch a call for papers related to this theme.

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  • Lille

    Call for papers - Representation

    The Measurement of Images: Computational Approaches in the History and Theory of the Arts

    DHNord2020

    The DHNord colloquium brings together the digital humanities community every year at the Maison Européenne des Sciences de l'Homme et de la Société in Lille. The theme chosen for 2020 considers computational approaches to images in the history and theory of the arts. This conference will bring together for the first time in France the leading specialists in artificial intelligence applied to the arts.

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  • Paris

    Call for papers - Language

    Translating E-Lit?

    International Conference (Jan. 16 and 17, 2020, Paris 8 University, France)

    The main focus of this conference will be translation as process, rather than as a mere product, which will prompt us to apprehend translated works as belonging to one or several networks, contexts and translational cultures. In short, translation is a concept that throws new light onto the exchanges and differences pertaining to contemporary digital literary culture. Contemporary digital literary culture mobilizes multiple operations: it involves translation across languages, but includes circulations characteristic of other translational issues at large: exchanges between interfaces, media, codes, institutions, cultural perspectives, artistic and archiving practices. In turn, digital forms of textuality share a certain number of aspects within ubiquitous environments, which means that translational processes will lead us to consider creative practices that stand beyond the traditional field of literature. 

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  • Prague

    Call for papers - Prehistory and Antiquity

    Visual culture in the classical world

    8th international postgraduate conference Pecla 2019

    PeClA 2019 is a two‐day conference in Classical Archaeology and Classics aimed at postgraduate / doctoral students traditionally offering a space for presenting research results, discussion, and an exchange of ideas, in a friendly and supportive environment. This year, we focus on the roots of the Classical Archaeology, and for this reason the main theme of the conference is Visual Culture in the Classical World.

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  • Medford

    Call for papers - Representation

    Ancient Greek and Roman painting and the Digital Humanities

    When in 1921, A. Reinach published the Recueil des textes grecs et latins relatifs à la peinture ancienne (Recueil Milliet), it was mainly to make accessible these texts about painting and aesthetics to a broader audience. Since two years, a team gathered around the Perseus Digital Library and the Perseids Project (Tufts University) seek to revitalize the Recueil Milliet (an essential tool for historians of Greek and Roman Art) implementing it into a digitalized format (http://digmill.perseids.org/commentary). In relation to the work made, the proposed conference seek to question methodologies which combine Digital Humanities and scientific research, especially in the field of history of Greek and Roman art. But also, to put forward the relationship between textual sources and the most recent archaeological findings.

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  • Rennes

    Scholarship, prize and job offer - Representation

    Postdoctoral fellow “Mapping architectural criticism” (18 months)

    Postdoctorat « Mapping architectural criticism » (18 mois)

    The research team Histoire et critique des arts (EA1279) at Rennes 2 University is hiring a postdoctoral fellow, in the framework of the research project: Mapping Architectural Criticism. Architectural criticism, an intellectual and material cartography, directed by Hélène Jannière, Professor of contemporary history of architecture. An 18-months, full-time contract starting on March 1, 2018 is proposed. 

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  • Rome

    Study days - Representation

    Censimento e schedatura dei carteggi artistici

    Cantieri aperti e problemi interpretativi

    Secondo seminario di ricerca del programma «Lettresarts. Lettres d’artistes. Pour une nouvelle histoire transnationale de l’art (XVIIIe­‐XIXe siècles), organizzato dalla École française de Rome con il supporto della Bibliotheca Hertziana - Istituto Max Planck per la storia dell'arte. A un anno dall’inizio del programma di ricerca Lettres d’artiste, questo seminario si propone di fare il punto sulle ricerche in corso nel quadro del programma, analizzando i primi risultati e affrontando le questioni metodologiche ancora aperte circa il censimento, la schedatura, il trattamento informatico e l’analisi degli epistolari artistici tra Sette e Ottocento.

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  • London

    Call for papers - History

    New approches to Ruskin on Art and Architecture

    In advance of his bicentenary in 2019 this conference will provide the opportunity togather together, present and exchange new approaches by emerging scholars to the work of the nineteenth-century art critic, art writer, art historian, artist and social commentator John Ruskin, with particular emphasis on his work on art and architecture as understood to constitute the kernel of Ruskin’s engagement with human society and experience.

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  • Berlin

    Call for papers - History

    Art history for artists: interactions between scholarly discourse and artistic practice in the 19th century

    The conference seeks to examine the shaping of art history as a discipline during the 19th century in relation to artistic training and exchanges between artists and scholars. The development of art history has been associated with an array of socio-political and economic factors such as the formation of a bourgeois public, the politics of national identity and state legitimacy or the needs of an expanding art market. This conference aspires to explore yet another, less studied dimension: the extent to which the historical study of art was also rooted in an intention to inform contemporary artistic production.

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  • Paris

    Conference, symposium - History

    South-South Axes of Global Art

    The decentered internationalism espoused by the Havana, Dakar, and Gwangju biennials invites art historians to depart from an exclusively North Atlantic focus. Such a shift in purview seriously considers cities and regions that have been marginalized by previous academic emphases, more so than by their historical circulations of art and culture with the rest of the world. Historicizing and measuring the circulation of art on the former margins is now a decisive task if we want to evidence, nuance, or contest the “provincialization” of Europe and North America in recent art history. Artl@s’ upcoming conference aims to gather an international and transdisciplinary group of researchers to collectively investigate the formation and impediments of what we call “South-South” axes from decolonization to the present day.

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  • Paris

    Conference, symposium - Representation

    Producing the History of Fashion in the West

    This international symposium will provide a multidisciplinary analysis of museum and university discourses, concepts, experiments and experiences, and of their intellectual origins and the institutional frameworks within which they are produced across diverse local and national contexts. The aim is to better understand the various ways of tackling the subject so as to highlight new areas of research convergence, thereby giving new impetus to international cooperation.

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  • León

    Call for papers - History

    Hispanic World: Culture, Art and Society

    1st International Congress of Young Researchers at University of León

    Le Ier congrès international de jeunes chercheurs à l'université de León invite tous les jeunes chercheurs (tous ceux qui n’ont pas obtenu leur thèse au moment du Congrès) qui travaillent sous les lignes thématiques suivantes : le monde hispanique et l'analyse des sources ; société, religion et monarchie hispanique ; création et parrainage artistique ; les manifestations textuelles orales et écrites.

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  • Call for papers - Epistemology and methodology

    The Geographical Information of Art History: How and Why to Retrace the Circulation of Knowledge and Facts

    Artl@s Bulletin 4, 2 (Fall 2015)

    The spatial turn in humanities has enticed various disciplines to deconstruct the making of artistic facts: studying the circulation of artworks and artists now appears to be a fertile way to uncover the rationales, the constraints and the transgressions that shape the historical geography of art. This ‘return to facts’ calls for a closer examination of the methods used to identify, collect, re-assemble and interpret the geographical information produced by artistic activity. To examine the traceability of artistic knowledge and facts is the primary aim of this issue of the Artl@s Bulletin.

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  • Dinant

    Call for papers - Europe

    Medieval copper, bronze and brass – Dinant-Namur 2014

    History, archaeology and archaeometry of the production of brass, bronze and other copper alloy objects in medieval Europe (12th-16th centuries)

    This symposium is organised in a town whose main medieval activity was focused on the metallurgy of copper and brass. Its aim is to present current knowledge of not only the medieval products, techniques, workshops and labour force, but also of the market and trade in these products. This symposium will present the research carried out in history and archaeology of materials and processes with, in some cases, the support of scientific studies.

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