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• 30 jui 2016

  30 sep 2016

  Call for papers - Sociology

  Contemporary migrations in the humanistic coefficient perspective. Florian Znaniecki’s thought in today’s science

  The Florian Znaniecki Scientific Foundation founded in 1989 plans to publish a volume, as part of the Sociological Monographs series, with a working title “Contemporary migrations in the humanistic coefficient perspective. Florian Znaniecki’s thought in today’s science”. Therefore, we would like to invite you to send us the original, previously unpublished, English-language works devoted to the application of Florian Znaniecki’s thought in contemporary migration research.

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• 30 avr 2016

  Kyoto

  Call for papers - Geography

  New contribution to Geoarchaeology

  Word archaeological congress 8

  Geoarchaeology, defined as the application of geosciences and geographical methods to prehistory, archaeology, and history, is now widely applied to study key subjects such as occupation patterns, territory and site exploitation, palaeoclimatic, palaeoenvironemental, and palaeogeographical changes, as well as anthropogenic impacts and system responses. The multidisciplinary and multiscalar dimensions of geoarchaeological approaches have encouraged continuous development and innovation of methods and approaches that have opened new possibilities for explorations in geographical sectors previously inaccessible, the development of large-scale data acquisitions and treatment, and also the development of microscopic scale analysis precision. This session will highlight global research in geoarchaeology with particular emphasis on innovative methods or cutting edge research using established approaches.

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• 08 déc 2014

  Call for papers - Epistemology and methodology

  The Geographical Information of Art History: How and Why to Retrace the Circulation of Knowledge and Facts

  Artl@s Bulletin 4, 2 (Fall 2015)

  The spatial turn in humanities has enticed various disciplines to deconstruct the making of artistic facts: studying the circulation of artworks and artists now appears to be a fertile way to uncover the rationales, the constraints and the transgressions that shape the historical geography of art. This ‘return to facts’ calls for a closer examination of the methods used to identify, collect, re-assemble and interpret the geographical information produced by artistic activity. To examine the traceability of artistic knowledge and facts is the primary aim of this issue of the Artl@s Bulletin.

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