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• 30 mai 2018

  31 mai 2018

  01 jui 2018

  Paris

  Conference, symposium - Representation

  Female artists in the classical age - illustration, painting, sculpture and engraving

  Comment ces artistes sont-elles désignées, et de quelle manière préfèrent-elles se nommer ? Le siècle hésite à se saisir d’expressions pour les qualifier. Quelles sont les conditions de travail et de vie de ces artistes ? De quelles façons apprennent-elles leur art, où peuvent-elles l’exercer et l’exposer, avec qui à leurs côtés ? Quelle est la réception de leur art dans les Salons et les journaux de l’époque, en France et en Europe ? En quelle réputation – nationale et internationale, bonne ou mauvaise – sont-elles ?

   

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• 22 mai 2017

  23 mai 2017

  24 mai 2017

  Seville

  Conference, symposium - Early modern

  Sedition and revolt in modern european political thought

  We wish to bring together international contributors once more in a discussion of the political thought brought about by various uprisings between the end of the Middle Ages and the modern era, whether it be reflections over a particular event, or more general considerations over the causes of sedition and protest movements, the means to prevent or suppress new episodes, and their adverse – or regenerative – effects. This analysis will focus on political writings composed for government use or for a wider audience – memoirs and reports, as well as treatises on the statecraft that proliferated throughout Europe in the modern era and saw wide acceptance. There is a tendency in the current literature to make use of historical examples that are distant in time and place, and a need to consider the possible repercussions of theoretical reflection from experience drawn from recent or contemporary revolts.

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• 23 nov 2016

  24 nov 2016

  25 nov 2016

  Dresden

  Conference, symposium - Middle Ages

  The geometry of medieval images

  On le sait (le sait-on ?), une image, au Moyen-Âge, n’est pas composée selon les règles de la perspective. C’est à la compréhension d’un autre modèle géométrique, sur lequel s’appuyèrent les images médiévales, et qui disparut au cours du XVI^e siècle, que ce colloque sera consacré. Pour quelles raisons ? Les images médiévales ont-elles quelque rapport avec la géométrie ? N’est-ce pas la plus mauvaise manière de parler d’elles, qui s’entêtent à ne pas respecter des règles simples de proportion, qui sont parfois incapables de tracer deux lignes parallèles, et qui souvent n’essaient même pas d’esquisser un paysage un tant soi peu cohérent ? Plutôt que de penser les termes « géométrie » et « espace » d’une manière toujours défaillante par rapport aux images médiévales, nous voudrions les maintenir, quitte à redéfinir ce qu’on appelle, au Moyen Age, une géométrie, un espace ; et une image ?

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• 20 jan 2016

  21 jan 2016

  Nantes

  Conference, symposium - Law

  Theological Foundations of Modern Constitutional Theory: 16th-17th Centuries

  Fondements théologiques de la théorie constitutionnelle moderne : XVIe-XVIIe siècles

  This conference aims to assemble different studies laying bridges between modern constitutional theories and theology from the perspective of intellectual history. Though modernity of law and politics has been usually accounted in the context of Reformation, the paper-givers’ approaches to the question will not be restricted in any confessional perspective, Protestant or Catholic. For, whatever the word ‘theology’ may have connoted in the time of religious confrontations, theoretical attempts to legitimize human rights and political authority at those days can be regarded as part of the general current of philosophical investigations, in a new manner and with different foci than ever, into the concept of justice with reference to that of God.

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• 13 jan 2015

  Paris

  Conference, symposium - History

  The Vico Road

  Giovanni Battista Vico (1668–1744) spent most of his professional life as Professor of Rhetoric at the University of Naples. He was trained in jurisprudence, but read widely in Classics, philology, and philosophy, all of which informed his highly original views on history, historiography, and culture. His thought is most fully expressed in his mature work, the Scienza Nuova or The New Science. In his own time, Vico was relatively not so known, but from the nineteenth century onwards his views found a wider audience and today his influence is widespread in the humanities and social sciences. While borrowing our title “The Vico Road” to James Joyce, the conference at the Paris Institute of Advanced Study will examine the current state of the study of the works of Giambattista Vico. We will try to encourage discussion of ideas that can be considered Vichian in nature and that have some affinity with modern and contemporary thought.

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