Home
Sort
-
Madrid
Image, Cinema & Politics: the Avant-Garde Dilemma in the Interwar Period (1918-1936)
In this publication we would like to explore the relation between the post-1918 crisis of the liberal system and the use of art and image as political media including its nationalist, gender and class discourses since they reflect the political and economic transformations of the post-war years. Art and cinema allow us to observe processes such as accelerated urbanisation, electrification and the automobile revolution, the incorporation of women into the waged- labour market or class struggles, all of which fed the insecurity and anxiety of industrialised societies which sought shelter in growing protectionism and corporatism.
-
Nanterre
Call for papers - Representation
Picturing Tomorrow: Future-directed Imagination in American Art
How do we understand the concept of the future? Is it inevitable and shaped by a long sequence of events and interconnected chance occurrences? Or do we conceive of it as something that is determined by our actions and decisions in the present day? Is it a pure potentiality, a promise of a radically different world and yet unimaginable existence? Or is it something that is forever unreachable, something that defines our experience of the present as a perpetual state of deferral and transience?
-
Paris
International Conference (Jan. 16 and 17, 2020, Paris 8 University, France)
The main focus of this conference will be translation as process, rather than as a mere product, which will prompt us to apprehend translated works as belonging to one or several networks, contexts and translational cultures. In short, translation is a concept that throws new light onto the exchanges and differences pertaining to contemporary digital literary culture. Contemporary digital literary culture mobilizes multiple operations: it involves translation across languages, but includes circulations characteristic of other translational issues at large: exchanges between interfaces, media, codes, institutions, cultural perspectives, artistic and archiving practices. In turn, digital forms of textuality share a certain number of aspects within ubiquitous environments, which means that translational processes will lead us to consider creative practices that stand beyond the traditional field of literature.
-
Brussels
The interiors of Art nouveau period : analyse, restore, make accessible
The Réseau Art Nouveau Network, a European network for the study, protection and enhancement of the Art Nouveau heritage, is celebrating its 20th anniversary this year. Urban.brussels, founding member of RANN, is hosting an international symposium in Brussels, co- organised by RANN and urban.brussels in partnership with the Horta Museum and CIVA. If Art Nouveau is accessible to everyone in the street itself and while the Art Nouveau facades are the ornament of many European cities, the interiors arouse both from the academic world as from the general public many questions related to their accessibility, to their knowledge, to the refined restorations that they require.The aim of this symposium is to bring about a confrontation on research practices, understanding, conservation and enhancement of Art Nouveau interiors, in order to identify new research perspectives.
-
Madrid | Alcalá de Henares | Pozuelo de Alarcón
V International Conference on Mythcriticism
The V International Conference on Mythcriticism “Myth and Audiovisual Creation” will analyze the impact of myth in audiovisual creation from 1900 to the present day. The Conference will be organized in four universities during two weeks.The Conference will be divided into 4 venues according to different themes: "Germanic Myths" in the University of Alcalá, "Classical Myths" in the University Autónoma, "Biblical Myths" in the University Francisco de Vitoria and "Modern Myths" in the University Complutense. Researchers can send to one of their 4 venues their abstracts. They will have to analyze the relevance of film, TV series and video games in the creation and modification of old, medieval and modern myths to our contemporary world.
-
Ottawa
Call for papers - Representation
Machines and the Musical Imagination (1900-1950)
Drawing on historical, aesthetic, theoretical and sociocultural perspectives, this study day seeks to reconsider the place of machines in the musical imagination during the first half of the twentieth century, a period marked by the proliferation of mass technology.
-
Oxford
Towards a Social History of Photoliterature and the Photobook
(Séminaire, Maison Française d'Oxford, 2017-2018)
This international seminar brings together researchers working on photography and the book with interdisciplinary approaches, connecting the aesthetic and material dimensions of the photobook with social, economic and political perspectives.
-
Rome
Censimento e schedatura dei carteggi artistici
Cantieri aperti e problemi interpretativi
Secondo seminario di ricerca del programma «Lettresarts. Lettres d’artistes. Pour une nouvelle histoire transnationale de l’art (XVIIIe‐XIXe siècles), organizzato dalla École française de Rome con il supporto della Bibliotheca Hertziana - Istituto Max Planck per la storia dell'arte. A un anno dall’inizio del programma di ricerca Lettres d’artiste, questo seminario si propone di fare il punto sulle ricerche in corso nel quadro del programma, analizzando i primi risultati e affrontando le questioni metodologiche ancora aperte circa il censimento, la schedatura, il trattamento informatico e l’analisi degli epistolari artistici tra Sette e Ottocento.
-
London
New approches to Ruskin on Art and Architecture
In advance of his bicentenary in 2019 this conference will provide the opportunity togather together, present and exchange new approaches by emerging scholars to the work of the nineteenth-century art critic, art writer, art historian, artist and social commentator John Ruskin, with particular emphasis on his work on art and architecture as understood to constitute the kernel of Ruskin’s engagement with human society and experience.
-
Paris
Conference, symposium - Representation
Toward a Geography of Architectural Criticism: Disciplinary Boundaries and Shared Territories
Mapping Architectural Criticism Third International Symposium
This international symposium is part of the ANR research project Mapping Architectural Criticism, which aims to develop a field of research on the history of architectural criticism, from the last decades of the 19th century to the present day. The symposium intends to debate two key questions related to the geographies of criticism: what are criticism’s disciplinary boundaries and which territories has criticism shared from the last decades of the 19th to the end of the 20th century with other disciplines.
-
Huddersfield
Call for papers - Political studies
For a century and more musicians have sought to relate their practices to the values of democracy. But political theory teaches that democracy is a highly contested category. This symposium aims to interrogate claims for the “democratic” nature of music.
-
Nice
Cross-disciplinary International Conference by Nice Street Art Project
Art is everywhere. You just have to open your eyes and/or decide that something is art. This is what Ernest Pignon-Ernest showed when he glued frames on the walls of Nice, France, from 2004 to 2013. Known for the celebration of the chosen place as a place of poetry and history, the artist used the frame as a sign to reveal the artistic potential of the walls, ie a tool of “artification”. The frame refers to the museum piece, which it encircles, protects and highlights. By definition, street artworks don’t have a physical frame, if by Street Art we mean a self-authorized art situated in the public place or in abandoned places, or any form of site-specific art. Nevertheless, the frame is an essential and problematic question in many regards.
-
Madrid
IV International Conference of Myth Criticism
Myth and Emotions
Along with rational logic there is an emotional logic, responsible for many actions that we carry out. Myth Criticism tends to tackle mythical stories from a structural, social and historical perspective. However, it often ignores the emotional component. It seems as if the affective dimension, particularly active in our contemporary society, is not considered relevant in the studies of mythology. The Conference will examine the function undertaken by emotions in the structure of mythical stories and in the processes of mythification of characters and historical events. The object of the study will focus on ancient, medieval and modern myths in contemporary literature and art (since 1900).
-
Berlin
The conference seeks to examine the shaping of art history as a discipline during the 19th century in relation to artistic training and exchanges between artists and scholars. The development of art history has been associated with an array of socio-political and economic factors such as the formation of a bourgeois public, the politics of national identity and state legitimacy or the needs of an expanding art market. This conference aspires to explore yet another, less studied dimension: the extent to which the historical study of art was also rooted in an intention to inform contemporary artistic production.
-
Paris
Conference, symposium - History
South-South Axes of Global Art
The decentered internationalism espoused by the Havana, Dakar, and Gwangju biennials invites art historians to depart from an exclusively North Atlantic focus. Such a shift in purview seriously considers cities and regions that have been marginalized by previous academic emphases, more so than by their historical circulations of art and culture with the rest of the world. Historicizing and measuring the circulation of art on the former margins is now a decisive task if we want to evidence, nuance, or contest the “provincialization” of Europe and North America in recent art history. Artl@s’ upcoming conference aims to gather an international and transdisciplinary group of researchers to collectively investigate the formation and impediments of what we call “South-South” axes from decolonization to the present day.
-
Avanca
International Conference Cinema – Art, Technology, Communication
During five days, in the small village of Avanca, cinema was the unifying theme which provokes fruitful encounters between participants and convert Avanca into a Cinema Village, a stage for sharing, debate and dissemination of their research. The Avanca | Cinema asserts itself as a unique and important conference on the national and international scene, not only due to the average number of participants but also thanks to the broad range of themes presented in the last five editions. Moreover, the fact that this happens along with the Avanca Film Festival creates a complete event offering a varied program with workshops, screenings, book presentations, roundtables, plenary and parallel sessions to many researchers, academics, filmmakers, producers, actors, critics, technicians, moviegoers, among others.
-
Barcelona
Conference, symposium - History
Art, hybridation and circulation in the time of the American empires (13th-17th centuries)
El siglo XVI representó una época de grandes cambios y transformaciones que marcaron la vida política y económica del Viejo Mundo. Los europeos impulsaron una empresa mundial del saber que contribuyó a la creación de nuevas culturas y nuevos saberes, adaptadas a las circunstancias particulares de la interacción, que fueron reelaboradas por las poblaciones nativas bajo la influencia de las tradiciones locales. Uno de los ámbitos en los que puede apreciarse esta “mezcla” es en el campo artístico, donde la influencia de los motivos indígenas es incuestionable. En estas jornadas, se cuestionarán las formas híbridas que se producieron en el campo del arte con el contacto entre los imperios americanos e peninsulares así como la circulación de objetos, personas y saberes entre ambos lados del Atlántico. Tampoco se olvidarán las influencias del arte americano sobre Europa.
-
Porto
Trench art and the trenches in art. The Great War, a hundred years on
Pour signaler le centenaire du début de la Première Guerre Mondiale, l’Institut de Littérature Comparée de la Faculté de Lettres de l’Université de Porto s’associe aux organismes officiels – Ministère des Affaires Étrangères et Mairie de Porto – qui organisent plusieurs activités commémoratives de l’éphéméride à Porto. Dans ce Colloque Inters-disciplinaire, il s’agira d’approfondir le débat autour de la participation portugaise à la Première Grande Guerre, moyennant une réflexion générale et articulée qui, au-delà des questions purement historico-politiques, touche les différents domaines artistiques, tout particulièrement le domaine de la littérature.
-
Call for papers - Representation
The American and British Nations in Contemporary Landscape Photography
This second workshop in a series devoted to photography and national identity will question the way in which landscape as represented through the specificities of the photographic medium may participate in the construction of contemporary American and British national identities.
-
Duesseldorf
You were not expected to do this
On the dynamics of production (Distraction/Interference – Resistance/Accident)
In ordinary terms, the word production refers to an act of creation and its result, or to a process at the end of which there is a materialisation of some kind, or to the act of making something present. By productively interfering with this common idea of productionwe would like to work towards establishing different ways of thinking about this concept.
Distraction and Interference as well as Resistance and Accident are exemplary categories of the unexpected moments that may or may not take place in the course of production. They remind us that production cannot be reduced to the momentum of "achieving a product". Rather, these categories help to reveal the physical presence of those who produce, the materiality of the objects involved and the unforeseen effects of the "product". Furthermore, they allow us to question the alleged linearity of the processes that form part of production. Thereby, Distraction, Interference, Resistance and Accident make us aware to what extent production involves a "lived" and "living" tension between the producer and what is being produced, between the subject and the world.
Selected filters
-
French
-
Modern
-
History of art
Choose a filter
Events
- Past (24)
event format
Languages
- English (20)
- Spanish (2)
- Portuguese (1)
- Italian (1)
Secondary languages
- French
- English (3)
- Spanish (3)
- Portuguese (2)
- German (1)
- Nederlands (1)
Years
Subjects
- Society (12)
- Sociology (4)
- Ethnology, anthropology (4)
- Geography (1)
- History (9)
- Industrial history (1)
- Social history (3)
- Political studies (2)
- Mind and language (24)
- Thought (4)
- Philosophy (2)
- Religion (1)
- Psyche (1)
- Psychoanalysis (1)
- Language (8)
- Literature (8)
- Information (5)
- Representation (24)
- Cultural history (13)
- History of art
- Heritage (1)
- Visual studies (9)
- Cultural identities (6)
- Architecture (1)
- Epistemology and methodology (5)
- Thought (4)
- Periods (24)
- Prehistory and Antiquity (1)
- Middle Ages (1)
- Early modern (3)
- Modern
- Nineteenth century (8)
- Twentieth century (12)
- Twenty-first century (4)
- Prehistory and Antiquity (1)
- Zones and regions (7)
- America (5)
- United States (3)
- Canada (1)
- Asia (1)
- Europe (5)
- America (5)
Places
- Europe (22)
- North America (1)