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Recife
1956-1958: A revolutionary period that changed Africa (and the world)
The objective of this panel is to compare the various social mobilizations that took place in Africa during the years 1956-1958 and which arguably constitute a historical watershed. The main aim of the panel is not the making of an abstract comparative analysis, but the analysis, based on the testimonial material collected, of how the memory of these events has been structured over time. Moreover, we are interested in understanding what the impacts of these social movements were on the structuring of states and what continuities can be found between the mobilizations of that period and the ary social mobilizations that have shaken the continent in the last ten years, from the ‘Arab Spring’ of 2011 onwards.
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Pessac
Call for papers - Ethnology, anthropology
South Asian Diasporic Cinema: Encounters
The fourth issue of /DESI/ will focus on the question of encounters in diasporic South Asian cinema: Afghanistan, India, Maldives, Pakistan, Bangladesh Nepal and Sri Lanka. The transformation of this contemporary human condition into filmic material coincides with a turn in the scientific study of diasporas. Forced migrations, which generate a movement of displacement and settlement in home territories, movements of arrivals, caught in a logic of deterritorialization, diasporas – and more particularly South Asian diasporas – are all relocated in transnational and transcultural spaces. Cinema holds a mirror to this experience of movement through this new “ethnoscape” (Appadurai) made up of shifts and disjunctures, free flows and political hurdles, border-crossings and assignment of identity.
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Paris
French Citizenship and Colonization in the 20th century (until 1946)
Les dimensions impériales de la citoyenneté française sont à la fois bien et mal connues. Des travaux récents ont rappelé que la césure entre citoyens et sujets s’est construite de façon progressive et par ajustements entre les enjeux de pouvoir à l’échelle locale et impériale, les logiques juridiques et les revendications portées par des acteurs mus par des intérêts différents, sinon contradictoires. La multiplication des recherches d’histoire sociale, politique et culturelle de la colonisation permet désormais d’écrire une histoire plurivoque des dimensions impériales de la citoyenneté française en se demandant comment tous ces acteurs formulent la question qui sert de titre au colloque « quels citoyens pour l’empire ? » et quelles réponses ils lui apportent, ou comment ils font en sorte d’empêcher qu’elle soit débattue.
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Villetaneuse
Conference, symposium - History
Historians and the Margins: from North America to Former Empires
En s’intéressant aux « marges », les organisateurs engagent les participants à s’interroger sur les discussions actuelles à propos de l’écriture de l’histoire et ses représentations fictionnelles ou artistiques comme sur les rapports complexes entre histoire professionnelle et mémoires, entre histoire critique et mises en scène muséographiques et commémorations.
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Movements and flows in the Arabian Peninsula, the Red Sea and the Gulf region during World War I
Special issue of Arabian Humanities n° 6
On the occasion of the 100th anniversary of WWI, Arabian Humanities is launching an issue on the history of the Arabian Peninsula, the Red Sea and the Gulf during the Great War. Focus on movements and flows in/from/to the Red Sea, the Arabian Peninsula and the Gulf is meant to question the marginal position and isolation of the region during the war, to assess spatial and territorial reorganizations affecting movements and exchanges, and to give further attention to the region's global connections. What are the exchanges that can be identified during this period both in the region and in a global context? To what extent did the war impact on such flows in a region where borders and frontiers were still porous, ill-defined and fought over?
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Saint-Denis | Pierrefitte-sur-Seine
Conference, symposium - History
The Cold War and Entertainment Television
An essential dimension of the Cold War took place in the realm of ideas and culture. A great deal of work, for example, has been done on cinema, especially with regard to the United States although other nations, both East and West, have received increasing attention. But with certain noteworthy exceptions (primarily in the areas of science fiction and espionage series) relatively little has been done on this subject in relation to television. Yet, television was a technology and popular cultural form that emerged during the Cold War. This project hopes to rectify that absence by providing a forum for examining the impact of the Cold War on entertainment television. We intend to underline the comparative aspect by studying programs from both blocs – without forgetting, of course, the outsize impact of American television.
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