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Sinophone musical worlds and their publics
China Perspectives / Perspectives Chinoises
Recent success of Chinese reality television singing competitions broadcasted on national television or streamed directly on the internet, has shown the extent of musical genres represented in the Chinese world, from pop to folk via hip-hop or rock ’n’ roll. The popularity of new musical styles up to then considered as deviant as well as the recent attempts of the State to intervene directly on musical contents, tend to blur the distinctions between “mainstream” (流行) music, “popular” (民间) music as non-official, “underground” (地下) music or even “alternative” (另类) music. This call for papers aims at promoting a better understanding of the transformations of Chinese “musical worlds”, in the sense that Becker gave to “art worlds”, which stresses the role of cooperation and interactions between the different actors of the artistic sphere.
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Paris
Common Experiences, Common Desires ? Tracing an Intellectual History between China and Africa
Conférence ANR Espaces de la culture chinoise en Afrique (EsCA)
In his 1954 presentation to dignitaries from across Asia and Africa, Chinese Premier Zhou Enlai acknowledged the differences between the two cultural spheres; nevertheless, Zhou stressed, a more important factor in all future relations should be the “common experiences and desires” of people from across the two continents to create a new world from the ashes of war and colonialism. Building on Zhou’s insight into commonalities of experience, this presentation will trace the cultural intersections that have existed between China and African since the 1920s.
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