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Paris
Conference, symposium - History
South-South Axes of Global Art
The decentered internationalism espoused by the Havana, Dakar, and Gwangju biennials invites art historians to depart from an exclusively North Atlantic focus. Such a shift in purview seriously considers cities and regions that have been marginalized by previous academic emphases, more so than by their historical circulations of art and culture with the rest of the world. Historicizing and measuring the circulation of art on the former margins is now a decisive task if we want to evidence, nuance, or contest the “provincialization” of Europe and North America in recent art history. Artl@s’ upcoming conference aims to gather an international and transdisciplinary group of researchers to collectively investigate the formation and impediments of what we call “South-South” axes from decolonization to the present day.
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Ethnic or national minorities. Between renewal and permanence
Belgéo Review
The coordinaters of this issue of he Belgéo review plan to reflect about the "ethnic or national minorities", two polysemous concepts here perceived in a way opened to interpretation even if they are inscribed in P. Poutignat and J. Streiff-Fénart’s definition, when they state that these groups “only exist thanks to the subjective belief their members share that they constitute a community.” The minority group is dialectically linked to the existence of a majority. It can be said “ethnic” because of racial parameters but above all because of the presence of linguistic, religious, cultural or other discriminating and specific markers. The will to be different expresses itself in various ways – instutional or not – and leads to very diverse situations, located between resistance and cooperation, forced integration and autonomy. The way to name places, individuals, but also their status – granted or claimed for – their visibility in the social and political space, are elements characterizing the notion of “otherness”.
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