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• 15 avr 2021

  Call for papers - Ethnology, anthropology

  Museums and heritage in the post-COVID-19 era: the footprint of COVID and rethinking the future

  Her&Mus. Heritage & Museography Journal

  Through case studies and empirical studies, this issue of Her & Mus is a call to assess the proposals that have been developed throughout 2020 since the pandemic began, covering those practices that have worked and those that have not. It is an opportunity to reflect on the sustainability and future viability of museums and heritage facilities after the pandemic.

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• 05 jui 2020

  Lille

  Call for papers - Representation

  The Measurement of Images: Computational Approaches in the History and Theory of the Arts

  DHNord2020

  The DHNord colloquium brings together the digital humanities community every year at the Maison Européenne des Sciences de l'Homme et de la Société in Lille. The theme chosen for 2020 considers computational approaches to images in the history and theory of the arts. This conference will bring together for the first time in France the leading specialists in artificial intelligence applied to the arts.

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• 14 jan 2018

  Rennes

  Scholarship, prize and job offer - Representation

  Postdoctoral fellow “Mapping architectural criticism” (18 months)

  Postdoctorat « Mapping architectural criticism » (18 mois)

  The research team Histoire et critique des arts (EA1279) at Rennes 2 University is hiring a postdoctoral fellow, in the framework of the research project: Mapping Architectural Criticism. Architectural criticism, an intellectual and material cartography, directed by Hélène Jannière, Professor of contemporary history of architecture. An 18-months, full-time contract starting on March 1, 2018 is proposed. 

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• 06 nov 2017

  Rome

  Study days - Representation

  Censimento e schedatura dei carteggi artistici

  Cantieri aperti e problemi interpretativi

  Secondo seminario di ricerca del programma «Lettresarts. Lettres d’artistes. Pour une nouvelle histoire transnationale de l’art (XVIII^e­‐XIX^e siècles), organizzato dalla École française de Rome con il supporto della Bibliotheca Hertziana - Istituto Max Planck per la storia dell'arte. A un anno dall’inizio del programma di ricerca Lettres d’artiste, questo seminario si propone di fare il punto sulle ricerche in corso nel quadro del programma, analizzando i primi risultati e affrontando le questioni metodologiche ancora aperte circa il censimento, la schedatura, il trattamento informatico e l’analisi degli epistolari artistici tra Sette e Ottocento.

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• 17 jui 2015

  18 jui 2015

  19 jui 2015

  Paris

  Conference, symposium - History

  South-South Axes of Global Art

  The decentered internationalism espoused by the Havana, Dakar, and Gwangju biennials invites art historians to depart from an exclusively North Atlantic focus. Such a shift in purview seriously considers cities and regions that have been marginalized by previous academic emphases, more so than by their historical circulations of art and culture with the rest of the world. Historicizing and measuring the circulation of art on the former margins is now a decisive task if we want to evidence, nuance, or contest the “provincialization” of Europe and North America in recent art history. Artl@s’ upcoming conference aims to gather an international and transdisciplinary group of researchers to collectively investigate the formation and impediments of what we call “South-South” axes from decolonization to the present day.

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• 08 déc 2014

  Call for papers - Epistemology and methodology

  The Geographical Information of Art History: How and Why to Retrace the Circulation of Knowledge and Facts

  Artl@s Bulletin 4, 2 (Fall 2015)

  The spatial turn in humanities has enticed various disciplines to deconstruct the making of artistic facts: studying the circulation of artworks and artists now appears to be a fertile way to uncover the rationales, the constraints and the transgressions that shape the historical geography of art. This ‘return to facts’ calls for a closer examination of the methods used to identify, collect, re-assemble and interpret the geographical information produced by artistic activity. To examine the traceability of artistic knowledge and facts is the primary aim of this issue of the Artl@s Bulletin.

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