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• 31 oct 2018

  Beitragsaufruf - Asien

  Sinophone musical worlds and their publics

  China Perspectives / Perspectives Chinoises

  Recent success of Chinese reality television singing competitions broadcasted on national television or streamed directly on the internet, has shown the extent of musical genres represented in the Chinese world, from pop to folk via hip-hop or rock ’n’ roll. The popularity of new musical styles up to then considered as deviant as well as the recent attempts of the State to intervene directly on musical contents, tend to blur the distinctions between “mainstream” (流行) music, “popular” (民间) music as non-official, “underground” (地下) music or even “alternative” (另类) music. This call for papers aims at promoting a better understanding of the transformations of Chinese “musical worlds”, in the sense that Becker gave to “art worlds”, which stresses the role of cooperation and interactions between the different actors of the artistic sphere.

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• 26 nov 2012

  27 nov 2012

  28 nov 2012

  Paris

  Kolloquium - Studien zur Wissenschaft

  Itinéraires individuels et circulation des savoirs scientifiques et techniques en Asie orientale (XVIe-XXe siècle)

  How did individuals' geographical mobility contributed the circutation of  knowledge in East Asia (16th-20th centuries)? In China, Korea and Vietnam, the bureaucratic systems dictated a specific mode of mobility of the elites. But the ways in which individual itineraries shaped the circulation of knowledge need to be studied not only for civil servants, but also for various socio-professional groups, such as the scholars privately employed by high officials, craftsmen, medical doctors, traders, Buddhist monks, and emperors themselves. To these groups should be added the actors of the globalisation of knowledge during this period.

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