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Oxford | Paris
Call for papers - Representation
Poetics, Politics and the Ruin in Cinema and Theatre since 1945
References to Ancient times have been made in Europe between the two World Wars and the Classical served the idea of “a return to order” considered by some as necessary after the heresies of the avant-gardes. Indeed, the Classical has been manipulated by Fascist and Nazi ideologies in orchestrating the Second World War and the Holocaust. This conference intends to study how artistic processes as well as works of theatre and cinema record the historical and artistic consequences of this trauma in Europe by reinventing Antiquity, in particular, by working with ruins both politically and poetically. While this research is initially rooted in classical reception and theatre and cinema studies, the conference intends to dialogue with other fields including archaeology, aesthetic philosophy, political sciences, anthropology, and media theory.
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Glasgow
France and the Second World War in Global Perspective, 1919-1945
As the 70th anniversary of the end of the Second World War approaches, this conference seeks to re-evaluate the experiences and roles played by France during the war and its lead-up. Its aim is to explore France in the Second World War from a global as well as domestic perspective, including the interwar years of shifting foreign relations, international entanglements, political upheaval and military build-up. What new approaches might scholars bring to the history of the Vichy regime, collaboration, resistance, liberation, and the German and Italian occupations of France and Corsica? How have historians’ understandings of the roles played by the French colonial empire and colonial forces changed? How might international, transnational or comparative approaches contribute towards developing new avenues of research in this area?
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