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Milan
Grey linguistics. Appraisals and their contribution to the history of linguistics
ICHoLS XV / workshop
L’atelier se propose de délivrer le compte-rendu d’ouvrage (CR) de son statut de genre intermédiaire, marginal et méconnu (« unsung », Hyland 2000 : 43) au sein de l’historiographie linguistique. S’il est vrai que dans la construction du savoir scientifique son rôle n’est pas comparable à celui de l’article, néanmoins le CR constitue un lieu stratégique où les savants, au-delà des jugements techniques, manifestent ou consolident leur allégeance à un groupe particulier, engagent des relations personnelles, bousculent les frontières disciplinaires.
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Milan
Conference, symposium - Language
Political Proust from the Europe of Goncourt 1919 to the Europe of 2019
Le colloque a pour objectif d’examiner l’écho de l’œuvre de Proust sur d’autres auteurs, contemporains ou postérieurs à lui, pour étudier quelles politiques se dessinent dans les œuvres. Il vise à réenclencher les études proustiennes sur l’histoire, en étudiant les discours, les actions et les affects investis dans l’engagement littéraire, qu’il s’agisse de celui de Proust, de celui qu’il a inspiré ou de celui qu’on lui a dénié. Enfin, on examinera dans quelle mesure Proust peut, ou non, constituer une ressource vitale en temps de désastre.
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Milan
First Biennial International Conference on Eugenio Montale
First Biennial International Conference on Eugenio Montale
Winner of the Nobel Prize for Literature in 1975, Eugenio Montale (1896-1981) spent thirty-three years of his life in Milan (more than a third of his entire existence), from 1948, when at the age of fifty-two he was taken on by “Corriere della Sera”, until his death in a Milanese hospital at the age of eighty-five. During this protracted residency in Milan, Montale published all his major poetic collections except Ossi di seppia and Le occasioni.
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Milan
Interarts - mimetic hypertextuality between rewritings and allographic continuity
The last decades have seen an increase in the number of publications concerned with the theme of trans-textuality, meaning the conscious reuse of themes and subjects. A widespread practice during the seventeenth and eighteenth century, trans-textuality was interrupted during the Romantic age only to be relentlessly resumed until becoming, today, a real trend in literature and other arts, overlapping genres and artistic expressions.
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