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Out of Spain: Posterity and Dissemination of the Aliento corpus in Europe and the Mediterranean
6th International Conference ALIENTO
Previous Aliento Conferences examined medieval sapiential corpora in the Iberian Peninsula, the ancient sources of the medieval corpora, the links between proverbs and sapiential literature in the Middle Ages, and addressed the questions of translation and context. The 6thconference will address the posterity of sapiential texts (of the wider Aliento corpus, in Arabic, Hebrew, Latin, Castilian and Catalan) starting from the Iberian Peninsula and their influence in Europe and the Mediterranean.
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Paris
Call for papers - Epistemology and methodology
Humanities and linguistics: cross disciplinary methodologies
This symposium aims to question the critical use of cross-cutting methodologies in the fieldsof humanities and linguistics, the exchanges and practices of pluri-, inter- or transdisciplinarity between this research fields. The papers will question to what extent one's research topics required the use of cross-cutting methodologies; how the use of these methodologies shed a new light on these topics.
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Arabic Chancellery Documents through the Prism of Historicity
Writing, Vocabulary, Syntax, and Intertextuality from ʿAbd al-Ḥamīd al-Kātib (d. 750) to al-Qalqashandī (d. 1418)
This conference will address the evolution of chancellery styles, their regional diversity, and the history of the rhymed prose (sajʿ), this language of authority that was supposed to obey rules definitively fixed by the Prophet or the first secretaries of the Islamic Empire. What were the technical modalities for innovation? On what semantic, lexical, syntactical, and/or graphic levels did it manifest? Rather than on norms, codes, and rules, studies will focus on writing styles, orthographic variants, atypical handwriting, deletion, the transgression of norms, semantic revitalization, neologisms, and the variety of styles for citing the Quran or referencing ḥadīth. We are seeking to renew study of a corpus considered not as a fixed and ossified text, technical and off-putting, but as a living, evolving, and diverse ensemble.
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