Calenda

Paris

What happened with the LGBTQI+ "rights revolution" in Latin America?

Nr. 99 - Cahiers des Amériques latines

Ten years after Argentina's emblematic "same-sex marriage" law, this issue of Cahiers des Amériques Latines examines the notion of a "rights revolution" [Encarnación, 2016] and takes stock of the situation of sexual and gender minorities in the region. Three lines of research seem essential to propose a critical reflection on the reality of sexual and gender minorities and to evaluate the LGBTQI+ "rights revolution" in Latin America.

Paris

Call for papers - America

The creative power of margins: the rise of black, native, and mixed-race intellectuals in the Americas, 19th-20th centuries

Journal IdeAs 16

Issue 16 of IdeAs magazine. Ideas from the Americas, to be published in October 2020, will focus on “The creative power of margins: the rise of black, native, and mixed-race intellectuals in the Americas, 19th-20th centuries”. We want to focus on the Black and non-white intellectual Americas. We receive proposals for articles on all countries of the American continent, in French, English, Spanish or Portuguese.

Paris

Scholarship, prize and job offer - America

Position opening for invited scholars fellowship

For the last 10 years, the Institut des hautes études de l’Amérique latine (IHEAL) gives some of his university chairs to researchers specialized in social sciences on the Latin American area. Created thanks to the Secretary of Higher Education and Researcg of France; these chairs are destined to help in the collaboration between Europe and Latin America; allowing the IHEAL to create links with many latinamerican universities and consolidate a vast academic network.

Paris

Conference, symposium - Modern

Poétiques et politiques du corps dans la contemporanéité

Contemporary poetics and politics of thee body

From a comparing and transversal perspective, gathering different theoretical and artistic subjects, this congress aims at opening an interdisciplinary dialog, as well as putting into play the different questions that contemporaneity asks about the body. Knowing their territorial cultural differences, each historical period produces a different concept of body and person, which is intimately connected to what goes around on the artistic, theoretical, technological, social, politic and economic fields that sustain it. From an interdisciplinary point of view, this meeting intends to propose and get on the tracks of an investigation that can favour understanding the construction of corporality in our contemporary context.

Paris

Call for papers - History

Research Video Festival on the Slave Trade, Slavery and their Legacies

Over the last five years, the International Research Center on Slaveries (CIRESC / France) has organized the “Research video festival on the slave trade, slavery and their legacies”, in collaboration with the Oral History and Visual Studies Laboratory of the Federal University of Fluminense (LABHO / Brazil) and the Interuniversity Research Center on Literature, Arts and Traditions of the University of Laval (CELAT / Canada). The festival targets scholars or non-scholars conducting research in the social and human sciences on the slave trade, slavery and their legacies, and who are using videos to disseminate their findings. The main goal is to foster, circulate and promote the production of films on these issues.

Paris

Conference, symposium - Representation

Revolution and cinema: the Portuguese example

In honour of the fortieth anniversary of the Carnation Revolution, this three-day international conference seeks to interrogate the cinematic representation of the political event from 1974 to today. Paul Ricœur states that “rethinking is a form that cancels temporal distance.” To rethink the revolution would then entail making the revolution present, making it come alive, bringing the past and the present together, questioning the effects of the passing of time on the images, the narratives and on cinema itself as an historical device. Today’s acute economic and political crisis in Portugal shakes the very foundations of April’s democracy, and this legacy could perhaps use the present as the inaugural strength of another history to come. Taking the cinema of revolution as a nodal point and as a major historical shift, which links – other than referential and chronological ones –, unify the pre- and post-revolutionary Portuguese cinemas? In other words, how can this idea of “revolution” remain, irrigate and illuminate Portuguese cinema?

Paris

Call for papers - America

Knowledges, Sciences, Techniques and State building in Iberian America, 1790-1870

Over the last few decades the renewal of the history of the sciences has been marked by an opening towards non-European spaces, especially the Iberian Americas, and by the study of the relations between knowledges and power. We now have at our disposal a growing body of work on the imperial sciences, the contribution of the colonies to the advancement of knowledge, more particularly the natural sciences, and on the Enlightenment and the links between sciences, revolutions and independence in the colonial territories. However it is the opposite hypothesis that we seek to explore, highlighting both the modalities by which the legacy of the imperial, colonial Enlightenment was passed on and transformed, and the processes which meant that late 19th century Ibero-American societies, including Brazil and the Spanish colonies in the Caribbean, were ready to take full advantage of the new scientistic paradigm with a rapidity that ought to strike us as surprising.

Paris

Call for papers - Representation

Revolution and cinema: the Portuguese example

In honour of the fortieth anniversary of the Carnation Revolution, this three-day international conference seeks to interrogate the cinematic representation of the political event from 1974 to today. The conference’s first aim is to take the word “revolution” in its primary and etymological sense of “return.”

Paris

Conference, symposium - Language

Pratiques et poétiques du chapitre du XIXe au XXIe siècle

Bien qu'il soit un aspect évident de notre pratique de lecture quotidienne, le chapitre est un élément de poétique négligée par la critique, à l'exception de la thèse récente d'Ugo Dionne, La voie aux chapitres, consacrée aux modes de structuration romanesque dans l'Ancien Régime. Dionne y analyse comment le XIXe siècle voit une généralisation du chapitre, ce dernier devenant à la fois systématique et moins visible. Pourtant, le chapitre comme unité minimale du roman, comme scansion on élément structurel, sert de fil d'Ariane à l'écriture comme à la lecture. On voudrait ainsi esquisser une poétique du chapitre, en tenant ensemble les deux questions de la fabrique du texte et de sa réception, du chapitre utilisé comme moyen de production du sens et comme outil de lecture : telle est l'ambition de ce colloque.

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