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Aubervilliers
Revue « Esclavages et post-esclavages / Slaveries and post-slaveries »
This issue of the journal Esclavages & Post~esclavages/Slaveries & Post~Slaveries is about reparation claims related to the slave trade and chattel slavery in the twentieth and twenty-first centuries. This issue aims to comprehend how contemporary social actors link the history of slavery to contemporary debates in order to address the reproduction of unequal geopolitical, social and racial relations.
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Ziguinchor
Conference, symposium - History
The Portuguese presence in Ziguinchor
History and material and immaterial heritage
Le colloque a pour objectif, entre autres, de procéder à un inventaire du patrimoine de Ziguinchor laissé par les Portugais, aussi bien sous sa forme matérielle qu’immatérielle : architecture, routes, édifices, cimetières, gastronomie, imaginaire, contes, chants, musique, danse, langues, patronymes, etc. Plus qu’un simple inventaire de patrimoine, il s’agit d’aller à la découverte d’une partie de la mémoire de la ville de Ziguinchor dont le cheminement historique prend parfois sa source en territoire bissau-guinéen.
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Lisbon
Work on screen: social memories and identities through cinema
Since the early 20th century, work in contemporary societies has suffered several processes of change, which, in the context of the current economic and employment crisis, demand equating the structuring of social identities that are built and modified through work. During this period, cinema has been a privileged vehicle for the creation and dissemination of representations on work and, therefore, the shaping of social memories. This international and multidisciplinary seminar aims at gathering and discussing contributions that analyse the social processes involved in the formation of work identities and representations through cinema. It welcomes papers that highlight the main continuities and discontinuities of work memory narratives from the early 20th century to the present days, based on the analysis of specific films or bodies of films (both documentaries and fictions) and their reception.
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