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Mexico City
Thinking the Latin American right wings
IVth International Congress
The IVth International Congress Thinking the Latin American right wings follows the three previous ones held in France (2014), Argentina (2016) and Brazil (2018), which have permitted the constitution of a community of researchers working on Latin American right-wings. Several specialists from different countries and disciplines have joined in this network, in order to promote projects and studies on this theme, and stimulated the development of new issues related to this political family. The use of various methodologies such as the analysis of political traditions and cultures, representations and imaginaries, identities, networks, sensitivities and memories have made it possible to consolidate a field of study that has become relevant to understand current Latin American political scene.
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Lyon
When women film: the documentary in the Iberian peninsula and in the Latin-American continent
Ce colloque international et interuniversitaire aura pour objet l'étude de la production documentaire réalisée par des femmes des pays de la péninsule ibérique ou du continent latino-américain. Il a pour visée de repenser, dans une perspective transdisciplinaire, les cadres épistémologiques de l’analyse de l’image documentaire. Il réfléchira aux manières dont les films documentaires, maintenus dans une double marginalité, celle du documentaire et celle due au statut des femmes, ont agi comme des opérations d’intelligibilité du monde.
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Mont-Saint-Aignan
Feminisms and ARTivism in the Americas (20th-21st centuries)
Les féminismes contre-hégémoniques sont globalement peu connus en France. La théorie et l’action des femmes états-uniennes – connu sous le nom de black feminism – suscite certes un intérêt croissant chez les chercheur·e·s depuis la fin du XXe siècle. En revanche, les apports théoriques et les formes de mobilisation des autres régions américaines sont beaucoup moins visibilisés. Envisagé dans une perspective comparative et pluridisciplinaire, ce colloque voudrait approfondir la connaissance de ces mouvements en France. En s’attachant à la pluralité et à la force de leur action, la réflexion portera sur les caractères spécifiques et leur contribution à la lutte contre les oppressions de classe, de race, de genre et de sexualité. Une attention toute particulière sera portée à l’étude de la pluralité des mobilisations notamment celle qui envisage l’art comme forme de lutte.
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Paris
Les droites latino-américaines pendant la guerre froide (1959–1989) : l’autre révolution ?
Les Cahiers des Amériques latines
Les Cahiers des Amériques latines, journal ot the Institut des hautes études sur l’Amérique latine (université Sorbonne Nouvelle Paris 3) invites social scientists to deepen this exploration of the Latin American Right Wings during the Cold War (1959-1989). Assuming that we can not understand them without inscribing their temporality and historicity in the Cold War, we will ask us if there is a new political generation emerging in the 60’s and if this generation is connected to the neo-conservative revolution of Ronald Reagan and Margareth Thatcher in the 80’s. This issue, to be published in the fall of 2015, will focuse on the circulation of ideas and theories, actors and practices, symbols and subjectivities of political parties and political leaders, but also of social, economic and cultural actors. It will favor empirically based articles with a comparative reading of Latin American Rights or with a connected history approach within the Euro-American space.
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Paris
Conference, symposium - Representation
Revolution and cinema: the Portuguese example
In honour of the fortieth anniversary of the Carnation Revolution, this three-day international conference seeks to interrogate the cinematic representation of the political event from 1974 to today. Paul Ricœur states that “rethinking is a form that cancels temporal distance.” To rethink the revolution would then entail making the revolution present, making it come alive, bringing the past and the present together, questioning the effects of the passing of time on the images, the narratives and on cinema itself as an historical device. Today’s acute economic and political crisis in Portugal shakes the very foundations of April’s democracy, and this legacy could perhaps use the present as the inaugural strength of another history to come. Taking the cinema of revolution as a nodal point and as a major historical shift, which links – other than referential and chronological ones –, unify the pre- and post-revolutionary Portuguese cinemas? In other words, how can this idea of “revolution” remain, irrigate and illuminate Portuguese cinema?
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