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Lissabon
Beitragsaufruf - Geistesgeschichte
Fields of collaboration in contemporary art practices
Can all art be considered collaborative? What has motivated so many artists, in recent decades, to organize in collectives and participate in collaborative projects? Does collaboration in the arts play a major role in redefining the art world and in the production of new subjectivities? How do collaborative art practices challenge the myths of creative genius and artistic individuality?
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Lyon
Beitragsaufruf - Neuere und Zeitgeschichte
Ce colloque international et interuniversitaire aura pour objet l'étude de la production documentaire réalisée par des femmes des pays de la péninsule ibérique ou du continent latino-américain. Il a pour visée de repenser, dans une perspective transdisciplinaire, les cadres épistémologiques de l’analyse de l’image documentaire. Il réfléchira aux manières dont les films documentaires, maintenus dans une double marginalité, celle du documentaire et celle due au statut des femmes, ont agi comme des opérations d’intelligibilité du monde.
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Batalha
The Hydraulics in Monumental Buildings
The hydraulic system is an architectural subsystem that can only be understood in view of the dual constitution of its structure: one at ground level, that referrers to potable water (lower hydraulic subsystem), and other concerning rainwater (upper hydraulic subsystem). They both involve aspects of major importance for the functioning of any building: catchment, distribution and evacuation of the waters. In the last decade, research was carried out on the hydraulic component of historical architecture, either religious or civil, considering technical and artistic issues, not only in Portugal, but throughout Europe.
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Santiago de Compostela
The epoch of space. State and new perspectives
For centuries, the study of time was one of the main academic interests in the field of Humanities. However, in the second half of the 20th century, most scholars and philosophers shifted their focus to the question of space. The interest in studying this in the field of the arts has increased significantly in recent years, and is especially noticeable in the case of literary creations.The growing influence of ecocriticism and geocriticism is especially noticeable in digital humanities. The bridges recently built between these fields are already proving to be productive, as they have led to the development of new tools, approaches, and methodologies, such as deep mapping techniques and the spatial humanities. How have the disciplines evolved in recent years? Do we need to redefine the key concepts regarding space and place? Has our relationship with territory changed? Have we produced new ways of inhabiting space?
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Lissabon
In the Atlantic World, 1400-1900
Since April 2015, the international team working on the project “African Ivories in the Atlantic World: a reassessment of Luso-African ivories” (Fundação para a Ciência e a Tecnologia: PTDC/EPH-PAT/1810/2014), composed of 27 researchers from the University of Lisbon, the University of Évora and the Federal University of Minas Gerais in Brazil, has been researching the trade, circulation and production of raw and carved African ivory in the Atlantic area from the fifteenth to the eighteenth century. The team has identified and listed objects from Portuguese and Brazilian (Minas Gerais) collections, also collecting references and descriptions extant in written Portuguese sources. For the first time a selection of ivory pieces was subjected to lab tests with a view to helping establish their age and origin. The project research team has submitted proposals for re-interpreting material culture in the framework of its African contexts of production.
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Lissabon
Changements et continuités. Histoire globale, culture visuelle et itinérances
Dans la continuité des deux premiers workshops internationaux « Changements et continuités », réalisés en 2014 et en 2015, l’Instituto de Estudos Medievais, le Centro de História d'Aquém e d'Além-Mar, l’Instituto de História Contemporânea et l’Instituto de História da Arte organisent le troisième workshop intitulé « Changements et continuités. Histoire globale, culture visuelle et itinérances », les 14 et 15 septembre 2017.
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Lissabon
Lost and Transformed Cities: a digital perspective
The city is by definition a living entity. It translates itself into a collectiveness of individuals who share and act on a material, social and cultural setting. Its history is one of dreams, achievements and loss. As such, it also bears a history of identity. To know the history of cities is to understand our own place in the contemporaneity. The past is always seen through the eyes of the present and can only be understood as such. On the occasion of the 261st anniversary of the 1755 earthquake in Lisbon, we invite scholars and experts in the fields of heritage studies, digital humanities, history, history of art and information technology to share and debate their experience and knowledge on digital heritage.
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Lissabon
Beitragsaufruf - Städteforschung
The Paradigmatic City: Origins, Avatars, Frontiers
Ao longo da história da civilização, as cidades oferecem-nos paradigmas. Elas personificam formas ideais de vida social; surgem como capitais de impérios, mas também como centros de uma identidade nacional, cultural e religiosa; são focos de desenvolvimento económico e político. Todas estas formas se revestem de particular interesse para este congresso. Muitas cidades podem ser consideradas paradigmáticas: Atenas ou Roma, na Antiguidade Clássica; Veneza e Florença, como reflexo das dinâmicas transformações do Renascimento; Londres, Paris e Berlim, como capitais da Modernidade; Nova Iorque, Rio de Janeiro, Tóquio ou Xangai, como epítomes das novas metrópoles em franco crescimento.
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Paris
Révolution et cinéma : l'exemple portugais
Quarante ans après la Révolution des œillets au Portugal, ce colloque se propose de réunir un ensemble d’intervenants, chercheurs et cinéastes, autour de la question de la représentation cinématographique de la révolution et de la persistance de ses formes et figures dans le cinéma portugais contemporain.
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