Calenda

Rome

Caging the sky: art, history and anthropology of aviaries

Deeply rooted in the long history of technology, architectural construction, and the domestication and acclimatisation of animal species by humans, aviaries are an interdisciplinary research subject offering multiple approaches for studying both past and present bonds, connecting societies to their environment, to explore the place of birds in the collective imaginary, but also to appreciate the originality of works or constructions that were conceived in order to represent, signify or house animal life. They make a spectacle of the flight of birds for the external observer and tend to celebrate the captivity of animals as a state of “semi-freedom”.

Rome

Call for papers - History

Rebuilding / Restoring Rome

The Renewal of Buildings and Spaces as Urban Policy, from Antiquity to the Present

Everywhere in Rome, monuments are covered with ancient or modern inscriptions that not only contain the name of the original builder but also commemorate their restoration. Popes from the Quattrocento and Cinquecento who acted as urban planners, such as Sixtus IV, presented themselves as ‘restorers’, even when they were actually modernising the City. This phenomenon is not restricted to the Renaissance period: many Roman emperors already claimed to be rebuilders, such as Augustus who repaired all the damaged temples of Rome according to the Res Gestae, or Septimius Severus who was called Restitutor Vrbis on his coinage. Rome thus seems to be a city that constantly needs to be restored, rebuilt, born again. This conference aims to investigate how the notions of restoration and rebuilding were a driving force of Rome’s urban transformation throughout its history, from Antiquity to the 21^st century, as well as a political program put forward by the authorities and an ideal more or less shared by the different key actors of the city.

Rome

Scholarship, prize and job offer - Early modern

Economic history specialist, 17th-18th century - École française de Rome

PerformArt program

L’École française de Rome recherche un spécialiste de l'histoire économique XVIIe - XVIIe siècle, poste à pouvoir dès que possible dans le cadre du programme européen « PerformArt » (Promoting, Patronising and Practising the Arts in Roman Aristocratic Families).

Rome

Call for papers - History

The Agreements of the Holy See with States (19th-21st Centuries)

Models and Transformations, from Confessional States to Religious Freedom

This conference will explore the international legal agreements signed between the Holy See and individual states, which often but not always took the form of concordats and similar conventions. Its central focus will be to examine these conventions in light of diplomatic practices, as well as in relation to the political and religious dynamics of the nineteenth through the twenty-first centuries, notably the principles and requirements that comprised modernity. This entails assessing the historical evolution of the typology, method, content, scope, and spaces concerned.

Rome

Summer School - Religion

Tools and Methods for the History of Churches between East and West (5th-19th century)

This doctoral workshop will make it possible to relate compartmentalized historiographies even though they share a central and strong object, the Church, which is often treated only as a backdrop to history. The participants who will take part in this school will have the opportunity to see combined diverse and complementary approaches: social, normative, liturgical, political, orientalist. The participants will have access to the methods, the problematization and the last achievements of these different interdisciplinary approaches in the long term.

Rome

Call for papers - Representation

The italian fascism through the prism of contemporary arts

Reinterpretations, montages, deconstructions

In a more or less explicit way, daily news bring to our attention the survival of forms and values which rely on fascist imagery. Thinking about fascism through the prism of contemporary arts means to deal with a term whose significance has to be read at least in a double sense: on one hand, the historical experience of the regime that ruled Italy from 1922 to 1943; on the other hand, by extension, the very form of totalitarian power. Contemporary arts’ gaze seems to work on these two different albeit related topics: the Italian fascism as historical event (faced with all the troubles of its memories), and the fascism as the fundamental process of power’s relationship and rituals.

Rome

Call for papers - Geography

The mediation of technologies for a new communication and representation of territory

Session S25 of the 32nd Italian Geographers Congress

The session, which is part of the 32^nd Congress of Italian Geographers, will accept both theoretical and methodological proposals exploring the forms through wich ICTs, particularly the Web, have been changing the dynamics of territory representation in the last decades. Among other things, the proposal shoud focus on territorial communication forms for both political and administrative aims (the communication by and for citizens/investors) and tourist and cultural purposes (the communication by and for tourists/visitors).

Rome | Nice

Seminar - Ethnology, anthropology

Ethnomusicology and heritage

History, approaches and comparative methodologies in France and Italy

Si d’une part la patrimonialisation de « biens immatériels », dans les cas musicaux, visant principalement comme processus institutionnalisé d’identification, de collecte de données et de recherche, de mise en valeur, de transmission et de revitalisation d’un certain patrimoine à sauvegarder, est sans doute aujourd’hui un des principaux terrains de réflexion et d’action des ethnomusicologues et anthropologues de la musique, de l’autre cette thématique offre la possibilité d’étendre la réflexion également aux normes statutaire de la discipline.

Rome

Call for papers - History

Héraldique et papauté

Araldica e papato

Au Moyen Âge comme à l’époque moderne, la papauté dispose d’imaginaires variés pour alimenter sa communication institutionnelle. L’héraldique y joue un rôle majeur. Un nouveau pape apporte avec lui son blason qui paraît sur les monnaies, les sceaux, les médailles, la vaisselle et les ornements liturgiques, les reliures et les illustrations des livres, dans les armoriaux et dans la littérature de célébration ou de satire (pasquinades), sur les façades et les décors peints ou sculptés des bâtiments (succès dans la grotesque), dans les diverses fêtes et cérémonies, sur les portraits, les monuments et les tombeaux, sans oublier les jardins, les fontaines, etc... Les cardinaux augmentent souvent leurs armoiries de celles du pape qui les a créés. Ce n’est pas un hasard si la Rome pontificale peut être considérée comme l’une des capitales les plus héraldiques du monde. Dans la peinture, cet imaginaire prend des formes allégoriques. Les grands décors sont élaborés en programmes. L’héraldique papale, dans ses différents emplois, n’a pas suscité tout l’intérêt qu’elle méritait. Vaste sujet, propre à stimuler historiens, historiens de l’art et historiens de la littérature.

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All	45,965
Call for papers	18,002
Conference, symposium	10,329
Study days	7,629
Seminar	4,274
Miscellaneous information	2,247
Scholarship, prize and job offer	2,121
Lecture series	801
Summer School	304
Call for tender	258

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