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Caging the sky: art, history and anthropology of aviaries
Deeply rooted in the long history of technology, architectural construction, and the domestication and acclimatisation of animal species by humans, aviaries are an interdisciplinary research subject offering multiple approaches for studying both past and present bonds, connecting societies to their environment, to explore the place of birds in the collective imaginary, but also to appreciate the originality of works or constructions that were conceived in order to represent, signify or house animal life. They make a spectacle of the flight of birds for the external observer and tend to celebrate the captivity of animals as a state of “semi-freedom”.
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Call for papers - Representation
The italian fascism through the prism of contemporary arts
Reinterpretations, montages, deconstructions
In a more or less explicit way, daily news bring to our attention the survival of forms and values which rely on fascist imagery. Thinking about fascism through the prism of contemporary arts means to deal with a term whose significance has to be read at least in a double sense: on one hand, the historical experience of the regime that ruled Italy from 1922 to 1943; on the other hand, by extension, the very form of totalitarian power. Contemporary arts’ gaze seems to work on these two different albeit related topics: the Italian fascism as historical event (faced with all the troubles of its memories), and the fascism as the fundamental process of power’s relationship and rituals.
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