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Issue 2(1) – 2018
The editors are looking for articles, translations, interviews as well as book or performance reviews. América Crítica is a peer reviewed, biannual journal published by CISAP (Centro Interdipartimentale di Studi sull’America Pluriversale) at the University of Cagliari, Italy. It publishes unsolicited articles related to any area of American Studies, Latin American Studies and Hemispheric American Studies (literature, history, linguistics, arts, cultural studies, film studies, politics, social sciences and anthropology). It especially welcomes contributions focusing on a comparative approach, native and/or minority cultures in the Americas, American urban cultures, and marginal and contested cultures and identities in the Americas.
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Call for papers - Ethnology, anthropology
Languages of urbanization and visions of the city
This section will focus on the representations of urban spaces and urban lives in the Americas, with special regard to the languages and the social practices that convey – or that have conveyed in the past – the idea of “making the city”. We are especially interested both in grassroots movements of urban resistance and in counter-hegemonic representations of the urban space. We welcome contributions on practices of re-appropriation of the city, on the strategies of resistance to the processes of gentrification, on the relationship between urban space and subaltern groups (minorities and/or subcultures) and on the ways in which the urban space has been represented, reimagined or invented in literature, cinema, comics, music, photography, television, visual arts.
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Genoa
Intermediality and transmediality in contemporary artistic practices
Intermedialità e transmedialità nelle pratiche artistiche contemporanee
Le groupe de recherche interdisciplinaire des départements de philosophie et de langues et cultures moderne de l'université de Gênes, organise un colloque international sur les questions concernant l'intermédialité et la transmédialité dans les pratiques artistiques contemporaines. Hybridation, intermédialité, transmédialité, multimédialité, intersémioticité sont les termes qui nous permettent de désigner l'entrecroisement de ces pratiques où se multiplient les emprunts entre cinéma, photographie, art numérique, art vidéo, littérature, etc., quoique la distinction conceptuelle entre chacune de ces notions ne soit encore tout à fait consolidée. Ce colloque se propose de développer une réflexion autour de l'usage de ces notions à travers un débat théorique entre diverses approches disciplinaires.
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