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  • Mestre

    Chamada de trabalhos - Idade Média

    History is a common good

    4th National Conference of the Italian Association of Public History

    In line with the Italian Public History Manifesto, approved after our association’s meeting in Pisa in June 2018, AIPH intends to contribute to the affirmation of a greater awareness of the value of historical knowledge, an essential resource for understanding the present, planning of the future and exercising full citizenship. The 4th AIPH National Conference of Venice-Mestre will create new opportunities for discussion and reflection between those who work with the past. The conference will examine ways in which history is present in society today, from universities to public places, in schools and learning institutions, in high and in popular culture and, finally, in the daily life of our communities.

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  • Monopoli

    Curso de verão - Linguagem

    Family morphologies: Leone and Natalia Ginzburg in Italian and European literature and culture

    Focusing on the works by Leone (1909-1944) and Natalia Ginzburg (1916-1991) the Summer School is dedicated to a reflection on the authors’ contribution to the 20th century Italian and European history. Besides a critical analysis of their creative and intellectual activity and their civic engagement, the participants will have the opportunity to debate the role both Leone and Natalia had in the publishing house Einaudi, and to experiment new methods of teaching literature. The program includes 3 plenary lessons and 5 seminars. Special guest: Carlo Ginzburg.Language of the activities: Italian.

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  • Florence

    Colóquio - Europa

    Pourquoi transmettre la connaissance des arts ?

    La contribution des musées

    Dans une société toujours plus matérialiste où les savoirs sont essentiellement jugés au regard de leur utilité instrumentale, comment justifier la transmission des savoirs artistiques ? Quels en sont les enjeux de citoyenneté ? Et quelle peut être la contribution spécifique des musées ? Faisant suite au colloque organisé en 2009 au Palais Strozzi, Pourquoi enseigner l’histoire de l’art ?, cette nouvelle initiative permettra d’échanger sur un vaste ensemble de questions allant des principaux enjeux démocratiques de la connaissance artistique dans notre société, jusqu’aux techniques pédagogiques les plus efficaces, notamment celles recourant au numérique. Avec cette manifestation, notre souhait serait d’engager un cycle biennal qui permettrait de faire régulièrement un « état de la transmission artistique » en Europe. Tous les deux ans, un grand musée européen accueillerait ainsi la réflexion la plus large sur cette question assurément déterminante pour l’avenir de la démocratie telle que nous la cultivons. Un monde où l’art et la pensée demeurent une condition de la liberté.

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