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Sousse
Le monde des arts s’offre au regard, peut-être beaucoup plus aujourd’hui que par le passé, comme une scène bigarrée où tous les possibles concourent à l’expression du monde, une expression subjective engageant un je, singulier ou pluriel, mais revendiquée comme telle, et quelle qu’elle soit : directe, donnée au figuré, sous enveloppe métaphorique, hybride, protéique ou … carrément inachevée. Le « non finito » dans l’art, s’il avait eu du temps, de Michel Ange, un aspect anecdotique, achève aujourd’hui de constituer une véritable mouvance tant dans les galeries d’art, les fabriques du livre, le septième art, les arts dramatiques avec des appellations souvent confondantes, devenues presque consacrées : esquisse, story board, rushes, work in process, mise en bouche, mise en espace, première (en parlant de théâtre), œuvre en devenir, etc...
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Hammamet
Call for papers - Urban studies
Urban and architectural identities in Mediterranean cities
Identités urbaines et architecturales dans les villes méditerranéennes
The architectural and urban diversity characterising mediterranean city is inseparable from their identity. It seems clear at that this diversity and multiplicity of different identities shoud be considered as one of the greatest cultural and human values. The coexistence of forms in time and space, the blending of urban and architectural cultures, influences and contaminations, even the contrast and and contradictions of identity that are revealed in the mediterranean urban territory reflect the stratification of the city in its pragmatics implications and its identity meanings. Today, in a context of a competition and attractiveness betwen territories, several mediterranean cities are going through a period of profound changes. Faced with these transformations, the reference to "identity territories" (Troin, 2004) and the ability of the city to build an identity and speared it among the population are called into question.
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Cairo
Call for papers - Epistemology and methodology
The emergence of the Ḥadīṯ as the authority of knowledge, 4th/10th and the 8th/14th century
2ᵉ Colloque de l'Idéo au Caire
One of the questions raised today by some Egyptian religious authorities is on the lawfulness and relevance of using intellectual tools foreign to the Islamic tradition to read and interpret the Qurʾān and texts of the classic Islamic heritage. Is it permissible and appropriate to use contemporary human sciences to study the texts of the Arab-Islamic patrimony or should it be limited to the Ḥadīṯ? IDEO would like to contribute to this debate by studying the emergence of the Ḥadīṯ as the authority of knowledge in the Islamic sciences between the 4ᵗʰ/10ᵗʰ and the 8ᵗʰ/14ᵗʰ century.
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