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Villetaneuse
Conference, symposium - Economy
This symposium is part of a recent and very dynamic renewal of research on the State in economics involving a critical examination of two dominant postulates of the discipline: 1) the assumption of an apolitical State or a benevolent dictatorship which pursues no private interest maximizing the general interest. 2) The assumption of “soft trade”, i.e. the exclusion of social conflicts, inter-state and intra-state wars in the presence of markets. Our discussions aim to explore how the sovereign, prudential, and providential dimensions of the state can be interpreted if these two assumptions are dropped. What is the place of conflictual power in the genesis and evolution of the rules governing the distribution of wealth and economic, social, and ecological development?
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Villetaneuse
Conference, symposium - Ethnology, anthropology
Reinventing the Sea: precarity, epistemology, narratives
The oceans cover 71 percent of the Earth's surface and contain 97 percent of the Earth's water. One way to reinvent the ocean, as Philip E. Steinberg points out, is not to consider it as a space outside the human beings who settle inside, i.e., on the land, but to look upon it as a mobile and dynamic space that is central to the flows of modern society.
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Villetaneuse
Conference, symposium - History
Historians and the Margins: from North America to Former Empires
En s’intéressant aux « marges », les organisateurs engagent les participants à s’interroger sur les discussions actuelles à propos de l’écriture de l’histoire et ses représentations fictionnelles ou artistiques comme sur les rapports complexes entre histoire professionnelle et mémoires, entre histoire critique et mises en scène muséographiques et commémorations.
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Saint-Denis | Pierrefitte-sur-Seine
Conference, symposium - History
The Cold War and Entertainment Television
An essential dimension of the Cold War took place in the realm of ideas and culture. A great deal of work, for example, has been done on cinema, especially with regard to the United States although other nations, both East and West, have received increasing attention. But with certain noteworthy exceptions (primarily in the areas of science fiction and espionage series) relatively little has been done on this subject in relation to television. Yet, television was a technology and popular cultural form that emerged during the Cold War. This project hopes to rectify that absence by providing a forum for examining the impact of the Cold War on entertainment television. We intend to underline the comparative aspect by studying programs from both blocs – without forgetting, of course, the outsize impact of American television.
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Saint-Denis
Conference, symposium - Language
Translation(s), Migration(s), Identities
Dans un monde soumis à la dynamique de la globalisation et marqué par des mouvements migratoires massifs, les figures et oppositions figées du centre et de la périphérie, de l’identité et de l’altérité, du soi et de l’autre se dissolvent tandis que l’expérience du déracinement, de l’exil, du passage produit une superposition de plusieurs cultures qui s’hybrident dans un territoire radicalement nouveau par rapport aux migrations d’antan. La situation du sujet moderne, décrite par Salman Rushdie dans Imaginary Homelands comme celle de l’homme traduit (the translated man), tend à se généraliser. Homi Bhabha a élaboré une théorie de la culture qui est proche d’une théorie du langage, recourant à la notion de traduction comme motif ou trope. Il s’agira, dans un premier temps, d’approfondir la réflexion sur la « traduction culturelle » et d’envisager dans quelle mesure ce motif peut (et doit) être lié à une réflexion renouvelée sur le rôle et les modalités de la traduction au sens propre.
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