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Sensibilities at the turn of the 21st century
Characteristic of the the first sixteen years of the 21st Century has been the the emphasis that structuration processes have placed on the connections between emotions, bodies, and society as some of their central axes. At least since the end of the last century, the production, circulation, management, and reproduction of feeling practices have become some of the basic features of education, health care, knowledge production, the mass media, the entertainment industry, sexuality, politics, and the market - just to mention some of the most publicly “visible” ones. It is in this context that we have considered it desirable to bring together researchers and academics dealing with various aspects relating to the topic of sensibilities.
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For this seventh International Symposium on Staging America, we invite scholars to explore the various ways in which American bodies have been staged and represented throughout history and through various media. From P.T. Barnum’s freak shows to modern-day tattoo conventions, from Carson McCullers’ and Flannery O’Connor’s grotesque characters to twenty-first century sideshows, bodies have always been a source of both attraction and repulsion. The fascination triggered by deformities – whether natural or self-inflicted – reveals as much about Americans’ conceptions of normality, hence of identity, as it does about the nature of the body itself.
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