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  • Uccle | Paris

    Conference, symposium - Thought

    Second International Conference on Uyghur Studies

    2e colloque international sur les études Ouïghoures

    The Uyghurs are one of the ten most populous stateless nations in the world. While they have a long history of cultural accomplishments and political influences, they have remained marginal in international scholarship given their ambiguous position both in regional studies and in geopolitics. This conference is the second attempt to bring together a broad spectrum of the international community of scholars whose research is focused on the Uyghur people’s history, culture, society.

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  • Call for papers - Early modern

    Scotland: migrations and borders

    Revue « Études écossaises » n°19, 2016

    The 2016 edition of the journal Etudes écossaises will focus on Scottish culture, history and politics through the prism of migrations and borders. Papers in English or French will be welcomed from specialists in all fields of Scottish studies including arts and literature, civilization studies, history, political science, culture and the media. 

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  • Strasbourg

    Conference, symposium - Political studies

    Changing the Tune: Popular Music and Politics in the XXIst century

    From the fall of communism to the Arab spring

    Popular Music scholars have devoted considerable attention to the relationship between music and power. The symbolic practices through which subcultures state and reinforce identities have been widely documented (mainly in the field of Cultural, Gender and Postcolonial Studies), as has the increasingly political and revolutionary dimensions of popular music. Most studies have focused on the genres and movements that developed with and in the aftermath of the 1960’s counterculture. Yet little has been written about how the politics of popular music has reflected the social, geopolitical and technological changes of the late 20th and early 21st centuries, after the fall of Communism. Still, the music of the Arab Spring or of the Occupy and Indignados movements have been scarcely commented upon while they attest to significant changes in the way music is used by activists and revolutionaries today.

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