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  • Call for papers - History

    Music and French History

    French Historical Studies (Special Issue)

    The history of the music of France has traditionally been studied as a separate category without the same robust interest as other cultural artifacts such as film and literature. More recent scholarship illuminates the place of music in French society and suggests that more work should be done to sketch out the particular place of music in all its forms in French history. This special issue of French Historical Studies proposes to take stock of and advance this historiographical renewal. What can the production and consumption of music tell us about the shifting nature of French identity and the relationships among various constituencies in French history?

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  • Paris

    Call for papers - Language

    Translating E-Lit?

    International Conference (Jan. 16 and 17, 2020, Paris 8 University, France)

    The main focus of this conference will be translation as process, rather than as a mere product, which will prompt us to apprehend translated works as belonging to one or several networks, contexts and translational cultures. In short, translation is a concept that throws new light onto the exchanges and differences pertaining to contemporary digital literary culture. Contemporary digital literary culture mobilizes multiple operations: it involves translation across languages, but includes circulations characteristic of other translational issues at large: exchanges between interfaces, media, codes, institutions, cultural perspectives, artistic and archiving practices. In turn, digital forms of textuality share a certain number of aspects within ubiquitous environments, which means that translational processes will lead us to consider creative practices that stand beyond the traditional field of literature. 

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  • Ottawa

    Call for papers - Representation

    Machines and the Musical Imagination (1900-1950)

    Drawing on historical, aesthetic, theoretical and sociocultural perspectives, this study day seeks to reconsider the place of machines in the musical imagination during the first half of the twentieth century, a period marked by the proliferation of mass technology.

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  • Córdoba

    Call for papers - Thought

    Arte / literatura / diseño / tecnologías

    II conversatorio internacional sobre tecnoestética y sensorium contemporáneo

    Uno de los principales propósitos del conversatorio es acercar a investigadores y estudiantes los debates y problemáticas que tienen lugar en el campo de la literatura y el arte digital desde una perspectiva analítica, crítica y reflexiva, orientando el pensamiento hacia el ámbito específico de la producción artificial de sensibilidades, con el objetivo de afianzar el crecimiento y el desarrollo de un área de estudios aún incipiente.

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  • Montreal

    Call for papers - Sociology

    Hégémonie ou résistance ? Sur le pouvoir ambigu de la communication – Comic Art Working Group

    Conference of the International Association for Media and Communication Research (IAMCR) 2015

    The Comic Art Working Group, founded in 1984 by John A. Lent, is celebrating its thirtieth anniversary. As part of that occasion, the group hopes to have a full program of papers for the 2015 IAMCR conference in Montreal. Papers on any aspect of comic art are requested, such as political, advertising, or gag cartoons, newspaper strips, comic books, graphic novels, humor /cartoon periodicals, animation, and caricature.

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  • Call for papers - Sociology

    Nostalgia & popular music

    Volume! the French journal of popular music studies

    Volume ! la revue de recherche pluridisciplinaire à comité de lecture dédiée à l’analyse des musiques populaires lance un nouvel appel à contributions pour un numéro consacré à la nostalgie dans les musiques populaires, dans une variété de contextes nationaux, internationaux et transnationaux. Ce numéro, dirigé par Hugh Dauncey (Newcastle University) et Christopher Tinker (Heriot-Watt University) explorera les façons dont la nostalgie liée aux musiques populaires est produite, représentée, médiatisée et consommée.

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