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• 20 déc 2020

  Beirut

  Call for papers - Asia

  Beirut - the comeback

  L’appel à propositions interroge la catastrophe et la reprise, nécessaire, de la tragique explosion du 4 août, à Beyrouth. La reprise s’oppose, par définition pour Søren Kierkegaard, à la pure répétition — impossible — du même. La reprise est recréation sous un autre visage, en assumant les aléas de la mémoire, ses failles, ses imprécisions. Reprendre Beyrouth, c’est déjà se trouver sur un terrain miné, à ramasser des éclats de visages, de sens, de chronologie rompue. Reprendre Beyrouth, c’est aussi la repriser, en suturer l’architecture, l’histoire, l’héritage, la sauver de sa propre béance. L'appel, interdisciplinaire, s'ouvre à l'image (photographie, caricature, bande dessinée, illustration, dessin, collage) et au textuel (textes en prose, poèmes, réflexions).

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• 24 jui 2020

  Grenoble

  Scholarship, prize and job offer - Urban studies

  Still on the Map!

  Mississippi Delta Communities Facing Disappearing Land

  "Still on the Map!" takes as its context the Mississippi Delta fifteen years after Hurricane Katrina and about five years after the commissioning of the major new "100-year" flood protection infrastructure. Expressed from its title -a statement of resistance/resilience chanted by many inhabitants during ecological events in Louisiana- this research project aims to describe the links and "attachments" (LATOUR, 2017) that different communities in the delta maintain with their geographical environment in a situation of strong ecological tipping point, integrating the natural and artificial infrastructures of the watershed into the definition of ecosystems as socio-political actors in their own right. In a context where the delta's land is gradually sinking into the sea, every hour the surface area of a football pitch is permanently flooded.

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• 03 sep 2018

  Paris

  Call for papers - History

  The European Industrial Heritage of the First World War

  The First World War marked the history of Europe. It has been characterized by an unprecedented effort in industrial production, which today constitutes a common European heritage. The industrial heritage of the First World War, however, seems to be invisible: it is not identified or even defined as such, whereas this war was characterized by the massive use of industrial technology, both in the field of the production of weapons, aircraft and chemicals for military purposes as well as in the civil sector, particularly for agri-food production. It is interesting to note that conversely, the industrial heritage of the Reconstruction could be the subject of work. The organization of a European symposium, the first on this theme, is essential in order to establish an inventory of the material traces that still exist today and to draw the attention of the public authorities to the need to ensure their conservation.

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• 15 sep 2018

  Paris

  Call for papers - Europe

  European architectural space: exchanges, circulations and cultural transfers

  Doctoral research day in Architectural History from Paris I University

  In Europe, the circulation skills and ideas, already very intensive throughout the Middle Ages, kept intensifying over centuries. This process identified as “cultural transfers” at the end of the 20^th century actively supports the progressive rise of shared architectural cultures, evolving through cultural crossing and hybridization phenomena. Therefore, it seems possible to define a “European space of architecture” based on these intensive exchanges over the continent.

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• 26 fév 2015

  27 fév 2015

  Brussels | Namur

  Conference, symposium - Early modern

  Building techniques in writings on architecture between Italy, France and the Low Countries

  Les techniques constructives dans les écrits d’architecture entre Italie, France et anciens Pays-Bas

  This conference focuses on the connection between architectural theory and construction techniques. The first part deals with the analysis of technical descriptions, their relationship with building practice, their rhetorical value, and their international circulation and adaptation. It comprises case studies from Italy, France, and the Low Countries. The second part approaches the same problem in a comparative perspective and takes the form of round-table discussions structured around three themes: the relationship between technical writings and construction practices, the literary aspects of technical digressions, and the translation and adaptation of Italian treatises.

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• 05 sep 2014

  Riga

  Conference, symposium - Urban studies

  Consistency of inner and outer spaces in European "Art nouveau" architecture

  Art nouveau Network - Historical Lab 5

  In the framework of the project “Art Nouveau & Ecology” actions, the Réseau Art Nouveau Network organises a series of five Historical Labs with the support of the Culture 2007-2013 Programme of the European Commission. The fifth of the series, hosted in Rīga, will explore on 5 September 2014 the following topic: Consistency of inner and outer spaces in European Art Nouveau architecture

   

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• 02 jui 2014

  Berlin

  Call for papers - Early modern

  Images of the courtier in Northern European art, 1500-1700

  This panel will address the image of the courtier in the art and architecture of northern European court societies – Germanic countries, Flanders, United Provinces, France and England. While the subject has been widely studied in Italian art history, notably around the key figure of Baldassare Castiglione, it has been less investigated in the study of Northern European art of the Early modern period. The figure of the courtier inspired rich and often contrasting interpretations in Northern European court societies. While perpetuating traditional court culture in France and Flanders, the courtier in England and the Germanic countries embraced emerging social paradigms of the Protestant reform. In societies lacking an official court such as the United-Provinces, the figure of the courtier was largely redefined. Discussions will focus on symbolic forms of the courtier in the visual arts as well as in other disciplines to which the notion of decorum is central such as architecture and the decorative arts.

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