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• 15 avr 2017

  Beitragsaufruf - Geschichte

  CIDEHUS - Colecção Biblioteca: Estudos & Colóquios

  CIDEHUS has one book collections with peer-review: Biblioteca: Estudos & Colóquios which aims to publish monographies on CIDEHUS site on the platform OpenEditionBooks. This collection has an international scientific committee and an editorial committee, as well as an individual assistant for the edition process. Once a year, CIDEHUS opens a call for book proposals to general academic community and not only to the members of our research center.

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• 15 fév 2015

  Rom

  Beitragsaufruf - Geschichte

  Merchants, jurists and other "intermediate groups" in Early Modern Southern Europe

  Merchants, farmers, jurists, clerks in large institutions, secretaries, independent landowners, local elites and highly sought master craftsmen, among many others, are individuals with an ambiguous social status. Looking at who was not born exactly noble, nor exactly commoner, but stood on the border between one world and the other, is one of the goals of this initiative. As part of a project developed in Portugal focusing on the Holy Office’s familiaturas, it will be held on September 16 and 17, 2015, a workshop at Escuela Española de Historia and Archaeological in Rome. Our aim is to select a total of 8 applicants, that will be joined by 4 guest speakers, for a joint reflection on the dynamics and profiles of ‘intermediate groups’, as well as on the methodologies for their study in Early Modern Times.

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• 10 mar 2014

  11 mar 2014

  12 mar 2014

  Paris

  Kolloquium - Darstellung

  Révolution et cinéma : l’exemple portugais

  À l’occasion du quarantième anniversaire de la révolution des œillets, ces trois jours de colloque international envisage de revenir sur la représentation cinématographique de cet événement politique, de 1974 jusqu’à aujourd’hui. Prenant le cinéma de la révolution comme un point nodal et un tournant historique majeur, quels liens, autres que référentiels et chronologiques, unissent le cinéma portugais d’avant la révolution et celui d’après la révolution ? Autrement dit, comment cette idée de « révolution » traverse, irrigue, éclaire le cinéma portugais ?

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