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  • Nanterre

    Call for papers - Representation

    Picturing Tomorrow: Future-directed Imagination in American Art

    How do we understand the concept of the future? Is it inevitable and shaped by a long sequence of events and interconnected chance occurrences? Or do we conceive of it as something that is determined by our actions and decisions in the present day? Is it a pure potentiality, a promise of a radically different world and yet unimaginable existence? Or is it something that is forever unreachable, something that defines our experience of the present as a perpetual state of deferral and transience?

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  • Brussels

    Call for papers - Modern

    The interiors of Art nouveau period : analyse, restore, make accessible

    The Réseau Art Nouveau Network, a European network for the study, protection and enhancement of the Art Nouveau heritage, is celebrating its 20th anniversary this year. Urban.brussels, founding member of RANN, is hosting an international symposium in Brussels, co- organised by RANN and urban.brussels in partnership with the Horta Museum and CIVA. If Art Nouveau is accessible to everyone in the street itself and while the Art Nouveau facades are the ornament of many European cities, the interiors arouse both from the academic world as from the general public many questions related to their accessibility, to their knowledge, to the refined restorations that they require.The aim of this symposium is to bring about a confrontation on research practices, understanding, conservation and enhancement of Art Nouveau interiors, in order to identify new research perspectives.

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  • Rome

    Study days - Representation

    Censimento e schedatura dei carteggi artistici

    Cantieri aperti e problemi interpretativi

    Secondo seminario di ricerca del programma «Lettresarts. Lettres d’artistes. Pour une nouvelle histoire transnationale de l’art (XVIIIe­‐XIXe siècles), organizzato dalla École française de Rome con il supporto della Bibliotheca Hertziana - Istituto Max Planck per la storia dell'arte. A un anno dall’inizio del programma di ricerca Lettres d’artiste, questo seminario si propone di fare il punto sulle ricerche in corso nel quadro del programma, analizzando i primi risultati e affrontando le questioni metodologiche ancora aperte circa il censimento, la schedatura, il trattamento informatico e l’analisi degli epistolari artistici tra Sette e Ottocento.

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  • London

    Call for papers - History

    New approches to Ruskin on Art and Architecture

    In advance of his bicentenary in 2019 this conference will provide the opportunity togather together, present and exchange new approaches by emerging scholars to the work of the nineteenth-century art critic, art writer, art historian, artist and social commentator John Ruskin, with particular emphasis on his work on art and architecture as understood to constitute the kernel of Ruskin’s engagement with human society and experience.

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  • Paris

    Conference, symposium - Representation

    Toward a Geography of Architectural Criticism: Disciplinary Boundaries and Shared Territories

    Mapping Architectural Criticism Third International Symposium

    This international symposium is part of the ANR research project Mapping Architectural Criticism, which aims to develop a field of research on the history of architectural criticism, from the last decades of the 19th century to the present day. The symposium intends to debate two key questions related to the geographies of criticism: what are criticism’s disciplinary boundaries and which territories has criticism shared from the last decades of the 19th to the end of the 20th century with other disciplines.

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  • Berlin

    Call for papers - History

    Art history for artists: interactions between scholarly discourse and artistic practice in the 19th century

    The conference seeks to examine the shaping of art history as a discipline during the 19th century in relation to artistic training and exchanges between artists and scholars. The development of art history has been associated with an array of socio-political and economic factors such as the formation of a bourgeois public, the politics of national identity and state legitimacy or the needs of an expanding art market. This conference aspires to explore yet another, less studied dimension: the extent to which the historical study of art was also rooted in an intention to inform contemporary artistic production.

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  • Paris

    Scholarship, prize and job offer - America

    Terra Foundation Visiting Professorships in the Institut National d'Histoire de l'Art, Paris (2013-2015)

    Grâce au mécénat de la Terra Foundation for American Art, l’Institut national d’histoire de l’art (INHA) a le plaisir de reconduire pour deux ans (2013-2015) le programme d’enseignement et de recherche sur l’histoire de l’art américain et des échanges artistiques transatlantiques, qui existe depuis 2009 sous forme de bourses distribuées un post-doctorant(e) et à deux professeur(e)s invité(e)s de langue anglaise. 

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  • Brussels

    Conference, symposium - History

    Dealer, collector, critic, publisher…: The « animateur d’art » and his multiples roles

    Pluridisciplinary research of these disregarded cultural mediators of the 19th and 20th centuries

    The first goal of our symposium is to enlighten the role of the animateur d’art in the development of the arts. We hope that this scientific gathering would help us specify this first formula of the cultural actor: “The animateur d’art is an amateur who actively participates in the defense of the arts and in the stimulation of the artistic creation in a certain period. He puts his numerous networks to work in order to spread ideologies and aesthetics through the cultural environment and the society. He is a key figure positioning himself as a mediator between the different art worlds – the plastic arts as well as between the different agents of the cultural environment. His work consists in building bridges between the artists and his own cultural environment in order to ease the reception of the works and to promote a peculiar aesthetics”.

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