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Aubervilliers
Revue « Esclavages et post-esclavages / Slaveries and post-slaveries »
This issue of the journal Esclavages & Post~esclavages/Slaveries & Post~Slaveries is about reparation claims related to the slave trade and chattel slavery in the twentieth and twenty-first centuries. This issue aims to comprehend how contemporary social actors link the history of slavery to contemporary debates in order to address the reproduction of unequal geopolitical, social and racial relations.
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Paris
The recognition of women’s place in American societies has become a crucial social, cultural, political and economic issue, as evidenced by worldwide protest movements such as Ni Una Menos that started in Argentina – a feminist movement fighting against feminicides and gender-based violence – or the Women’s March against President Donald Trump in the United States. Whether these protests have to do with the struggle for women’s right to vote, the sexual revolution that started in the 1960s, or social movements denouncing gender-based violence in urban and rural environments, they highlight a continuity between yesterday’s feminist fights and their re-adaptation in the public space.
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Paris
Conference, symposium - History
African Socialism | Socialism in Africa
It is high time to give Africa its rightful place in the global historiography of socialism and to socialism its right in the History of Africa. Historians of socialism systematically forget Africa. Yet many African states professed “African” or scientific socialism, many African political actors used the theoretical toolbox drawn from the Marxist tradition. It offered support for the political advancement of colonial populations and the building of post-colonial States. The USSR, China, Cuba, offered ready-to-use models. Some states even tried to invent the ir own forms of African socialism, adapted to the specific conditions of Africa and true to its theoretical roots.
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Montpellier
Call for papers - Early modern
Writing under constraint. Mystics, contemplatives and the spectre of the judge
Discursive practices and strategies. Spain, Portugale, Latin America (15th-18th centuries)
Ce numéro des Cahiers d'études des cultures ibériques et latino-américaines (CECIL) invite ainsi à s'interroger à l’époque moderne sur les stratégies d'écriture, de réécriture et de construction du discours afin de mystifier les censeurs de la fin du Moyen Âge et de la modernité. Par delà les pratiques d'écriture propres aux auteurs mystiques et ascétiques, les contribution d'études replaceront la médiatisation du texte ascétique dans son rapport à la norme juridique et canonique.
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Paris
Conference, symposium - Language
Discrepancies: the life and work of José Rodrigues Miguéis
Lorsqu’il quitte le Portugal pour les États-Unis en 1935, José Rodrigues Miguéis (1901-1980) est un écrivain prometteur et un journaliste et militant politique reconnu, ancien membre du groupe Seara Nova, maintenant proche des communistes. À New-York, il poursuit ses activités militantes durant une dizaine d’années puis, après une grave maladie et une tentative infructueuse de retour définitif au Portugal, il finit par se consacrer pleinement à l’écriture. La majeure partie de son œuvre ne sera publiée en volume qu’à partir de 1958, à près de soixante ans, si bien que l’écrivain exilé se retrouve en décalage avec le Portugal (ses lecteurs, la société et la dictature en vigueur), mais aussi avec la vision du monde ayant présidé à l’écriture d’une grande partie de ses écrits inédits. C’est dans le cadre de ce parcours biobibliographique particulier que les communicants s’intéresseront à l’œuvre fictionnelle et non fictionnelle migueisienne. Alors que son œuvre est de plus en plus étudiée au Portugal, aux USA et au Brésil, ce premier colloque consacré à José Rodrigues Miguéis en France sera l’occasion de mieux faire connaître cette grande figure méconnue de l’histoire culturelle portugaise du XXe siècle.
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Paris
Conference, symposium - Representation
Revolution and cinema: the Portuguese example
In honour of the fortieth anniversary of the Carnation Revolution, this three-day international conference seeks to interrogate the cinematic representation of the political event from 1974 to today. Paul Ricœur states that “rethinking is a form that cancels temporal distance.” To rethink the revolution would then entail making the revolution present, making it come alive, bringing the past and the present together, questioning the effects of the passing of time on the images, the narratives and on cinema itself as an historical device. Today’s acute economic and political crisis in Portugal shakes the very foundations of April’s democracy, and this legacy could perhaps use the present as the inaugural strength of another history to come. Taking the cinema of revolution as a nodal point and as a major historical shift, which links – other than referential and chronological ones –, unify the pre- and post-revolutionary Portuguese cinemas? In other words, how can this idea of “revolution” remain, irrigate and illuminate Portuguese cinema?
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