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Conference, symposium - Europe
The inventions of the unconscious in the 19th century - literature and the humanities
Littérature et sciences de l'homme
Le XIXe siècle voit se développer les usages de l’adjectif (puis du substantif) inconscient et manifeste, avec l’exploration des profondeurs de la psyché, un intérêt renouvelé pour les phénomènes en-deçà de la conscience. Un des points d’aboutissement de ce renouvellement sera à la fin du siècle l’apparition de la psychanalyse. Un de ces points seulement, à inscrire dans une pluralité d’investigations des phénomènes situés hors du champ de la conscience : failles, marges, déboîtements, glissements qui ébranlent le sujet et sa présence au monde, appréhension d’un ailleurs et d’une altérité en soi.
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Lire la littérature et les arts visuels du monde anglophone avec le Lacan de l’après-encore
Reading English-language Arts and Literature with the Later Lacan
Lacanian analysis of literature and the arts has not been in vogue in France for some time now. Following the publication of Écrits in 1966, there was a period of analytic fascination with the imaginary capture of the mirror phase and its intersection with the structures of the symbolic in both literary and film studies. Since the 1980s, academic engagement with Lacanian theory in the cultural field has been in a slump, and this for several reasons: the reputed difficulty of Lacan’s style as apprehended through Ecrits, the opposition of numerous feminist critics, and the general decline of theory in the field of literary studies. Today, in light of the growing force of scientistic conceptions of the human subject (at the level of intelligence, behaviour, reproduction, the limits of the body, mortality), Lacanian theory finds renewed relevance in its unwavering postulate of the subject as singular, unique and incalculable, insusceptible to scientific conclusiveness.
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