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Barcelona
Episcopal, Canonical and Secular Memorial Devices in Medieval Cathedrals
Art, Architecture, Liturgy and Writing
TEMPLA invites international researchers into medieval art history and related disciplines to debate the concept and expression of “dynamic episcopal and canonical commemoration” which occurred in European episcopal sees during the medieval period. The concept of commemoration goes beyond the funerary to include all those works, activities and uses of space that transmit through time a record of bishops and canons, their institutions, and important lay people. These commemorative works, however, were grafted onto a common setting that was in use over a long period of time. Thus, each cathedral setting witnessed the emergence of different dynamics in terms of the interactions and intersections between individual and/or collective memory.
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Madrid
Alfonso VIII and Eleanor of England, Artistic Confluences Around 1200
VIII edition of the International Seminar-Complutense Conference in Medieval Art
October 6, 1214. The Castilian monarch, Alfonso VIII, died on his way to Plasencia. Before the month had ended, his wife Eleanor Plantagenet followed him in the monastery of Las Huelgas in Burgos. To celebrate the eight-hundredth anniversary of their passing, the UCM’s Department of History of Art I (Medieval) organises the VIII edition of their International Seminar-Complutense Conference in Medieval Art (12-14 November 2014), under the title “Alfonso VIII and Eleanor of England, Artistic Confluences Around 1200″.
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Madrid
Approaches to the urban and suburban religious landscape in the West (1st-6th centuries AD)
La Casa de Velázquez et l’Institut archéologique allemand de Madrid organisent la septième édition de leur atelier de formation pour jeunes chercheurs du 17 au 21 juin 2013, à Madrid, coordonnée cette année par Bertrand Goffaux, Dirce Marzoli et Fedor Schlimbach. Les travaux porteront cette année sur le paysage religieux urbain et suburbain en Occident, entre le Ie et le VIe siècle ap. J.-C.
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