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• 15 aoû 2017

  16 aoû 2017

  17 aoû 2017

  Berlim

  Seminário - Epistemologia e métodos

  Digital Humanities – Opportunities and Risks. Connecting Libraries and Research

  Digital Humanities is widely understood to mean the use of computer-aided and data-driven research methods and techniques in both the arts and humanities. Some examples of this are critical editions, lexicographical projects, as well as the historical reception of large-scale collections, whether of visual objects or literary textual corpora. But intrinsic to the digitally-enabled arts and humanities are the holdings and collections offered up to researchers by libraries and other cultural heritage and memory institutions. In addition academic libraries also have an integrating role to play between the researcher, the interested public and the collections not only of libraries, but also of museums and archives especially, where strong regional cooperation or collaborations across borders have been established. Essential to this for this role are services that present appropriately curated digitized materials and provide access to them.

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• 21 mar 2017

  22 mar 2017

  Munique

  Seminário - Época Contemporânea

  9th TextGrid. DARIAH user meeting

  On 21 and 22 March 2017, the 9^th TextGrid. DARIAH User Meeting will take place at the Bavarian Academy of Sciences and Humanities (Bayerische Akademie der Wissenschaften) in Munich. The conference focusses on digital editions and geographic data. As at the 8th User Meeting, the event will provide an opportunity for beginners to become acquainted with TextGrid by processing typical use cases.

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• 12 jui 2014

  13 jui 2014

  Düsseldorf

  Seminário - Representações

  « Dynamis de l’image ». Pour une archéologie des possibles

  The project Dynamis of the image aims at exploring the power of images in the contemporary globalized world by focusing not on the image’s referential functions, but on its performative forces. By asking by what means images generate affects, produce events or sometimes even provoke wars, the project critically reflects on the traditionally dominant Western paradigm of image thinking which has customarily reduced images to mere signifiers or inanimate objects. On the other hand, the project points toward a more encompassing perspective on images by including non-Western, premodern oder anthropological frameworks where the image has been reflected upon not in terms of its ontology, but in terms of its efficacy.

   

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