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Berlin
Figures and Perspectives on the Mass and the Individual in Capitalist Modernity (19th-21st century)
How is it possible to use the notion of mass without making it collapse into a complete condemnation of collective action or into an acritical celebration of the crowd? From there on, the relationship between mass and individual can be addressed in many fashions: Are there any specific ways for the mass to organize itself as a political subject? What are means whereby artworks represent and transform the linkage between mass and individual? What are the mutations undergone by the mass qua object of the social sciences? How does capitalist modernity affect the moral and psychic autonomy of individuals?
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Bayonne
Summer School - Ethnology, anthropology
The music of migrants in camps
Making art in an emergency situation
Cette université d’été a deux objectifs. le premier est d'explorer un secteur mal étudié de l’ethnologie comme la musique dans les camps de transit. S’il existe une abondante littérature historienne et musicologique sur la musique dans les camps de concentration et dans les camps d’extermination, rares sont les études qui portent sur les pratiques musiciennes. Le second objectif est de construire une démarche comparative afin de mesurer la singularité d’une observation ponctuelle sur ce que l’on appelle la crise des migrants en Europe : Paris, Baigorri, Calais, Dunkerque (France), Friedland (Göttingen, Allemagne), M’Bera (Mauritanie), Mentao (Burkina Faso), Zaatari (Jordanie).
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