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• 24 jan 2019

  25 jan 2019

  Strasbourg

  Conference, symposium - Sociology

  Biographies, Mobilities, and the Politics of Migration

  Midterm conference of the Research Network “Sociology of Migration” of the European Sociological Association

  Current political and media discourses on the questions of “integration”, “belonging” and “borders” are dominated by the perspectives of Western nation states. The objective of this midterm conference of the Research Network 35 “Sociology of Migration” of the European Sociological Association (ESA) is to shift the focus to the perspectives of those who are labeled and talked about in these debates and who become the target of ever-more complex and differentiated border and mobility regimes. This conference will, in other words, interrogate the way belongings and borders are presently challenged and reshaped on different levels (local, national, international) and how biographical perspectives in migration research can shed new light on these processes.

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• 30 jui 2016

  30 sep 2016

  Call for papers - Sociology

  Contemporary migrations in the humanistic coefficient perspective. Florian Znaniecki’s thought in today’s science

  The Florian Znaniecki Scientific Foundation founded in 1989 plans to publish a volume, as part of the Sociological Monographs series, with a working title “Contemporary migrations in the humanistic coefficient perspective. Florian Znaniecki’s thought in today’s science”. Therefore, we would like to invite you to send us the original, previously unpublished, English-language works devoted to the application of Florian Znaniecki’s thought in contemporary migration research.

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• 08 déc 2014

  Call for papers - Epistemology and methodology

  The Geographical Information of Art History: How and Why to Retrace the Circulation of Knowledge and Facts

  Artl@s Bulletin 4, 2 (Fall 2015)

  The spatial turn in humanities has enticed various disciplines to deconstruct the making of artistic facts: studying the circulation of artworks and artists now appears to be a fertile way to uncover the rationales, the constraints and the transgressions that shape the historical geography of art. This ‘return to facts’ calls for a closer examination of the methods used to identify, collect, re-assemble and interpret the geographical information produced by artistic activity. To examine the traceability of artistic knowledge and facts is the primary aim of this issue of the Artl@s Bulletin.

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