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• 16 nov 2020	17 nov 2020	18 nov 2020
  19 nov 2020

  Padua

  Conference, symposium - Europe

  Crises and Infrastructures: Responses to Change Between Materiality and Immateriality

  A Dialogue Between Anthropology, Geography and History

  PhD students from the XXXIV cycle of the joint PhD Programme in Historical, Geographical, Anthropological Studies (University of Padova, Ca' Foscari Venice, Verona) are happy to invite you to their conference, titled "Crises and Infrastructures: Responses to Change Between Materiality and Immateriality. A Dialogue Between Anthropology, Geography and History". We will be exploring the interactions between various examples of Crises and Infrastructural response, trying to push for an interdisciplinary dialogue. We aim to reflect not only on the role of infrastructures as means of problem-solving, but also on the varied outcomes of critical moments. For more information, please see the detailed program attached.

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• 20 déc 2015

  Catania

  Call for papers - History

  Revolutions and Wars in the 19th and 20th Century

  Research, Politics, Ethic and Militancy in the Human and Social Sciences

  This panel seeks to provide a reflection on a multidisciplinary basis about the ethical implications on research in humanities and social science related to the objects of study. These objects potentially induce the researcher to "adopt" (even indirectly) one or more of the parts/reasons involved.

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• 01 mar 2014

  Florence

  Call for papers - Thought

  VIth Mediterranean Congress of Aesthetics

  Facts and Values in Aesthetics: Contemporary Stakes and Approaches

  In a text entitled The Collapse of the Fact/Value Dichotomy and Other Essays (2004), Hilary Putnam argues convincingly against a classic opposition which does not serve philosophical reflection positively. Putnam’s analysis mostly focuses on the theory and practice of knowledge, but one can legitimately extend it to other fields, starting with that of aesthetics, which sooner or later is confronted with the question of whether one defends or rejects the dichotomy. Keeping or rejecting it implies reasons to do so, but often these reasons remain implicit, most especially in aesthetics.

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