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Berlin
The conference seeks to examine the shaping of art history as a discipline during the 19th century in relation to artistic training and exchanges between artists and scholars. The development of art history has been associated with an array of socio-political and economic factors such as the formation of a bourgeois public, the politics of national identity and state legitimacy or the needs of an expanding art market. This conference aspires to explore yet another, less studied dimension: the extent to which the historical study of art was also rooted in an intention to inform contemporary artistic production.
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Berlin
Call for papers - Early modern
Images of the courtier in Northern European art, 1500-1700
This panel will address the image of the courtier in the art and architecture of northern European court societies – Germanic countries, Flanders, United Provinces, France and England. While the subject has been widely studied in Italian art history, notably around the key figure of Baldassare Castiglione, it has been less investigated in the study of Northern European art of the Early modern period. The figure of the courtier inspired rich and often contrasting interpretations in Northern European court societies. While perpetuating traditional court culture in France and Flanders, the courtier in England and the Germanic countries embraced emerging social paradigms of the Protestant reform. In societies lacking an official court such as the United-Provinces, the figure of the courtier was largely redefined. Discussions will focus on symbolic forms of the courtier in the visual arts as well as in other disciplines to which the notion of decorum is central such as architecture and the decorative arts.
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