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Paris
In praise of women in poetry: thinking rhetorical exaltation
L’éloge se définit comme un discours épidictique né d’une vigoureuse admiration, impliquant une instance énonciative, productrice d’un discours évaluatif saturé d’amplification et de valorisation. L’éloquence de l’acte célébratif, éminemment rhétorique, établit ainsi la singularisation et l’élévation d’un objet, produisant un jugement mélioratif de l’objet visé. Omniprésent dans la poésie amoureuse et érotique (les odes et fragments saphiques, le cantique des cantiques biblique, la tradition du ghazal dans la poésie courtoise arabe et perse, les Amours et Odes ronsardiennes, L’union libre d’André Breton, l’hommage à la Femme noire de Léopold Sédar Senghor, The lesbian body de Monique Wittig se lisent comme autant de variantes encomiastiques), l’éloge a traditionnellement servi à chanter le féminin—geste qu’il s’agira d’interroger, tant sur le plan philosophique, énonciatif, rhétorique, genré qu'épistemologique.
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Angoulême
Cultural and Creative Industries of Childhood and Youth
VIIIth Interdisciplinary Conference on Child and Teen Consumption
The interdisciplinary conference « Child and Teen Consumption » aims to facilitate in-depth dialogue between researchers from various disciplines: management, psychology, sociology, information and communication, anthropology, history, educational sciences, law, etc. Whilst the 8th conference will aim to continue interdisciplinary research and dialogue on broad themes related to children and young people as consumers, the theme of the 2018 conference will be « Cultural and Creative Industries of Childhood and Youth » in order to reflect its location in Angoulême and the growing research and public policy interest in this topic. The conference aims to highlight research in this domaine and invites producers of cultural material to bring their views to the debate.
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Paris
The notion of conscience in William James
À partir de William James
Durant le mois de juin 2017, le labex TransferS et Mathias Girel (CAPHÉS) accueillent Alexander Klein, professeur de philosophie à l’université d’État de Californie, Long Beach (États-Unis)
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Rennes
The Spiritual: a Valid Category for the Humanities?
An interdisciplinary debate
Ce colloque se propose de tenter une théorisation de la notion de spirituel afin d'en faire une catégorie scientifique utilisable dans le champ des sciences humaines. Depuis le poststructuralisme, la théorie, notamment littéraire, est devenue experte en matière d'analyse et de remise en question du soubassement idéologique de tout discours. Toutefois, cette « herméneutique du soupçon » (Ricoeur, 1975) se trouve démunie lorsqu'il s'agit d'élaborer une herméneutique « instauratrice de sens » (Ricoeur, 1965) permettant de penser l'humain au-delà de sa matérialité.
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Paris
Conference, symposium - Sociology
Sensibilities at the turn of the 21st century
Characteristic of the the first sixteen years of the 21st Century has been the the emphasis that structuration processes have placed on the connections between emotions, bodies, and society as some of their central axes. At least since the end of the last century, the production, circulation, management, and reproduction of feeling practices have become some of the basic features of education, health care, knowledge production, the mass media, the entertainment industry, sexuality, politics, and the market - just to mention some of the most publicly “visible” ones. It is in this context that we have considered it desirable to bring together researchers and academics dealing with various aspects relating to the topic of sensibilities.
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Nice
Conference, symposium - Representation
For this seventh International Symposium on Staging America, we invite scholars to explore the various ways in which American bodies have been staged and represented throughout history and through various media. From P.T. Barnum’s freak shows to modern-day tattoo conventions, from Carson McCullers’ and Flannery O’Connor’s grotesque characters to twenty-first century sideshows, bodies have always been a source of both attraction and repulsion. The fascination triggered by deformities – whether natural or self-inflicted – reveals as much about Americans’ conceptions of normality, hence of identity, as it does about the nature of the body itself.
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